South African Producer Mark Akol and Ivorian Rapper Andy S Strike an Exciting New Sound and Style of Hip-Hop on “Nouvelle Vague”

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Mark Akol and Andy S “Nouvelle Vague” cover (cropped)

South African producer Mark Akol collaborated with Andy S, a rapper from Côte d’Ivoire on “Novelle Vague.” The term originally referred to the French New Wave cinema of the late 50s and 60s that involved experiments in narrative and visual style, editing and subject matter. For this song it references a new era of African hip-hop that has emerged in recent years. It starts off with a mix of menacing synth sound and laughter before Andy S goes directly into things with his energetic rap in French which one does not need to fully understand to appreciate how the rapper’s momentum and wordplay and tones jibes with the warbling/rapid swelling synth and creative samples and electronic percussion accenting and giving texture to every line, backing vocals echoing to the side. The track manages to combine an unconventional playfulness with swagger and a mood that draws you into a moment that feels like a snapshot of the future and a glimpse into the present of modern African music innovating in soundscapes much as did artists out of the Highlife and Afrobeat movements and the sort of funk Walias Band got up to with contributions from Moog/organ player Hailu Mergia. “Nouvelle Vague” sounds like it could come from anywhere on the production end because of the internationalization of software and gear and methods of recording being attainable to anyone with access to technology and the internet. But its sensibility and vocal cadence is refreshingly different and new beyond specific cultural context and thus represents a fascinating innovation in the world of hip-hop in general and thus worthy of the song title and its connection to a wider movement. Listen to the song on Soundcloud and follow Mark Akol there as well.

soundcloud.com/markakol

“A.I.A.” by War You Lost is an Urgently Melodic Indictment of the Misdeeds of American Intelligence Agencies

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War You Lost “The Gadget” cover (cropped)

War You Lost takes us on a tour of sounds and ideas across time on its video for “A.I.A.” The aesthetic is like something from the early 60s or mod-70s crossed with something from an Alex Cox film. With lyrics name-checking the alphabet soup of American spy agencies and words about ways these organizations have been used to carry out government repression within and without the country with nods to prominent conspiracy theories and unethical actions undertaken in the name of national interest and sowing fear, instability and misinformation to keep the public in a constant state of background flux making it easier to manipulate. Musically the swirling, edgy melodies are reminiscent of Straightjacket Fits circa Hail and 90s Hoodoo Gurus with a tuneful jangle like a darker R.E.M.. In doing so, War You Lost taps into an 80s sound without going for the obvious touchstones that have informed a broad swath of modern music while not being hemmed in with a specific movement or scene and bringing to it a vitality that makes the single repeatedly listenable. Check out the single and video on YouTube and follow War You Lost on Facebook.

facebook.com/waryoulost

Jaelee Small Explores the Complexity of Heredity and Identity on “TicToc”

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Jaelee Small, photo courtesy the artist

The spare piano progression at the beginning of Jaelee Small’s “TicToc” leads you to believe you’re in store for a simple but emotionally urgent song. But the song progresses into a more full sound in the choruses with horns, and a richer array of percussion than the metronomic time keeping when the song starts off. Along with the broadening of sound, Small’s vocals ring out and harmonize, drawing out notes and the swelling of emotions. The song is about Small’s having first been in touch with the father she never truly knew growing up and the complex emotions and confusion regarding what she was hoping to get out of the relationship before he passed away. The song also sounds like one of learning to be patient with yourself and kind about your insecurities and accepting that personal growth isn’t a step-by-step, liner process of progression for anyone and that identity is never as simple as discovering your roots, your genetic background or connecting with a subculture or any other demographical facts. Although a short song at two minutes thirty-one seconds, Small’s song seems to evoke that complexity alongside the deep human yearning to know. Listen to “TicToc” on Soundcloud and follow Jaelee Small at the links provided.

jaeleesmall.com
facebook.com/JaeleeSmallMemoirs
open.spotify.com/artist/6ScuxjqJN66wQ8uzDdBnAD

“Hands” by Seatkickr is a Song About Needing Someone Who Will Stand by Us Through Times of Trouble and Not Give Up

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Seatkickr, photo courtesy the artist

Sofie Milito as Seatkickr creates the perfect combination of sense memory imagery with a wistful melody and rhythms on her new single “Hands.” What begins as impressionistic thoughts evolves into a yearning and urgently melancholic declaration of what is so missing from our lives and past relationships. Those we wanted to have, those we thought we had, those that didn’t satisfy our deep needs but we wanted them to so desperately even if we couldn’t acknowledge that desperation within our own hearts but we sure felt what was lacking in a tactile if subconscious way. In singing “We just want someone to fight for us,” Milito articulates a need that we don’t often get to put out there that is someone in our lives close to us who isn’t passive about their love and concern for us beyond their immediate needs and consideration for their own comfort. Because sometimes we need someone who will fight for us whether that’s in standing up for us or to us or getting through times of struggle and not just giving up. Listen to “Hands” on Spotify and follow Seatkickr at the links below.

open.spotify.com/artist/4GaxIb7k4cF4wTxlsMj0Zx
seatkickr.bandcamp.com/releases
instagram.com/stkickr

Divide and Dissolve’s “Prove It” is the Droning Rumble of the Edifice of International White Supremacy Crumbling

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Divide and Dissolve, photo courtesy the artists

Divide and Dissolve aim to “decenter and destroy” white supremacy with their music. And “Prove It,” the lead single from the forthcoming 2020 album Gas Lit, sure sounds like it’s shaking the foundations and destabilizing norms. Fans of The Body, Lingua Ignota and Echo Beds will find much to like about the crushing industrial drone and the abstraction of social criticism into the very sound and structure of the music itself. The thundering, echoing drums in a kind of menacing dance with writhing, collisions of heavy guitar sound like a great edifice being torn down from the capital of an ancient, empire that has long ago lost its sense of mission and dominance, whose corruption is already cracking its own edifice and which must be cleansed from the world beginning with the symbols of its power. This is an expression of the fractures that have been exposed from within that power structure in our own world of white supremacy, racism, misogyny and all the forces that are maintaining an abusive and oppressive international system that is hurting everyone and the very environment we inhabit. Watch the video and listen to the song on YouTube and look out for Gas Lit due out hopefully in early 2020. The duo of Takiaya Reed and Sylvie Nehill has already been championed by the likes of Unknown Mortal Orchestra (whose Ruban Nielson produced the album) , Deafheaven, Sumac, and Poliça with opening slots on tour so with any luck we’ll all get a chance to catch the project live soon as well.

“Heart Talk,” the Title Track to Alex McArtor’s debut EP, Demonstrates the Importance of Goodbyes Over Ghosting

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Alex McArtor, photo courtesy the artist

The title track to Alex McArtor’s debut EP Heart Talk, Vol. 1 is part goodbye letter and and acceptance that the romance isn’t going to work out. She outlines the positive aspects of the relationship and what sparked an initial connection but then all the details of how those connections didn’t run wide or deep. That McArtor couldn’t fulfill a role expected of her that wasn’t her own identity. The song is a gentle refusal of warping her heart and psyche for a love that isn’t suitable. With finely textured acoustic guitar rhythms and soaring electric leads, a doleful synth melody and McArtor’s dynamic and passionate vocals, the song brings you into that moment when you cast off your own personal illusions about someone you love and are ready to walk away while acknowledging your own feelings in the process and recognizing your own part in how things went down, which is the harder realization to swallow for a lot of people, especially when you’re young and don’t have as much life experience. McArtor makes it sound not just melancholic but a necessary part of stepping away and that is actually saying so rather than ghosting. Listen to “Heart Talk” on Soundcloud and follow McArtor on Spotify.

LUC’s “Glow” is a Pure Synthesis of Fuzzy Garage Rock and Up-Tempo Electronic Dance Pop

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LUC, “Glow” cover (cropped)

LUC’s single “Glow” bursts with a fuzzy, funky synth pulse and soaring, soulful vocals that serve as almost a counterpoint to the grit of distorted processed guitar and bass that carries the main melody. In that way the track is reminiscent of the way Goldfrapp reconciles elements that seem to contrast but in the end compliment one another to give the music great momentum and emotional peaks that border on bombast but come off more like swagger. The mix of the track is fascinating in that it allows for the more granular sounds to shine as well as the ethereal soundscaping and the melodious and acrobatic vocal line. The Los Angeles-based project says the genre “is LA Garagetronic” possibly because its combination of electronic dance pop and garage rock but really it stands out for the super production and adeptness in making disparate elements work together to create something decidedly different than its component parts. Listen to “Glow” on Soundcloud and follow LUC at the links provided.

soundcloud.com/maxusnipes/04-ghost-m-editb-320kb
open.spotify.com/artist/4wbbDaTxjWd2fcghJQHIgn
youtu.be/aKvrbf-UYCg
twitter.com/We_Are_LUC
instagram.com/weareluc

“Gasoline” by Art-Punks Rx27 is a Cool, Scuzzy Deathrock Song

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Rx27, photo courtesy the artist

When “Gasoline” starts up, you think for a second that it’s going to go into a warped version of “Repo Man” by Iggy Pop but then the rhythm fully engages and its headlong pace and cutting but melodic guitar riff, helped by Rikk Agnew formerly of The Adolescents and Christian Death (circa the 1982 classic Only Theatre of Pain), are an integral part of the song and its tale of a combustible relationship that is mutually destructive but irresistible. The kind where both people know how fucked up it is but the drama and the darkness are a turn on for both people and they’re going to ride it out until it flames out in spectacular fashion. The metaphor of relationship as perilous car ride is borne throughout but especially the part that begins with “crash and burn” and completes with “built for speed,” I’m what you need.“ Singer Joie Blaney takes some lines and MisMaxine Murrderr others as they sing/scream almost as call and response but also together. And dark as the song goes there’s something sweet about it at heart like two cynical hedonists who’ve seen it all get each other and get to each other by bypassing their defenses and numbness to vanilla stimulation even if it will cost them in the end. Listen to “Gasoline,” produced by Paul Roessler of The Screamers, 45 Grave and Nina Hagen fame, on YouTube and follow Rx27 at the links below.

therx27.com
twitter.com/therx27
facebook.com/therx27
instagram.com/rx27_official

Birdman Cult Uses Occult Imagery in the Video for “Snakes” to Symbolize a Rejection of Mainstream Normalcy in Favor of the Dark Power of Rock and Roll

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Birdman Cult, photo courtesy the artists

If Birdman Cult’s song “Snakes” wasn’t a jaunty, fuzzy post-punk garage rock song its video would come off more like the notorious “11B-X-1371” clip that circulated a few years ago. A hooded and robed figure in a bird mask bearing tilted pentagrams presents as the high priest of some nefarious cult handling snakes like he’s officiating at something more sinister than the “Cremation of Care” ceremony at Bohemian Grove. Rather, the symbols are more primal connecting the vitality of the song itself to more elemental forces than the theatrically wicked. The “snake” in this song also taps into mythology and turns the symbol on its head with the temptations of the city and its culture serving as transformative role through corrupting an outmoded set of values and sensibilities. If you turn off the sound the optics are certainly spooky but the music gives it the playful context much as many things seem far scarier than they are if you don’t know much about them and this song challenges that cognitive dissonance beautifully. Watch the video for “Snakes” on YouTube and follow Birdman Cult at the links below.

soundcloud.com/birdmancult
facebook.com/birdmancult

On “Amygdala” (featuring ZAAR), RARE CIGARETTES Shows How Fear and Anxiety Can Overwhelm Our Conscious Mind if We Remain Unaware

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RARE CIGARETTES, photo courtesy the artist

RARE CIGARETTES is the alias of producer Daniel Gol who in the single “Amygdala,” made in collaboration with ZAAR, gives us a downtempo exploration of that most modern of ailments, anxiety. The vocals seem very chill on the subject but in the music with the distorted synth haunting after the finely textured beats and enshrouding the other elements of the music you hear how those emotions can overwhelm so much of your life. The vocals can’t escape it, the rhythm can’t and in the end those distorted drones and synth arpeggios close out the track. In expressing the power of those phenomena of the mind, though, Gol suggests we can externalize and express those feelings and perhaps better understand and get a grasp of them so they do not have undue power over our minds. Listen to “Amygdala,” a word that refers to the part of the brain that processes emotion, another nice touch to the song, on YouTube and follow RARE CIGARETTES at the links provided.

soundcloud.com/rarecigarettes
facebook.com/RARECIGARETTES
instagram.com/rarecigarettes_