Song Post – Page 7 – Queen City Sounds and Art

Garage Sale’s Shoegaze Single “Blank Again” Washes Away Emotional Overload With an Alternately Raw Delicacy and Sonic Catharsis

Garage Sale sets a mood of delicate introspection at the beginning of “Blank Again” with a guitar riff that lets all the details of the chord shine through. The lyrics seem to be written from the perspective of someone who has been through a period of great psychological duress and trauma and recovering from a period of emotional exhaustion when you feel like you have nothing left. The rhythm feels like a tentative taking of steps into an unfamiliar way of being but wanting to get back to a place of being able to trust your feelings again and how your brain works rather than the mode its’ been in for too long of tangling with too much and not enough the way maybe things felt for a lot of people during the early pandemic period. Later in the song the gorgeously warped, melodic maelstrom of guitar and syncopated percussion and bass washes over you like its flooding in and taking away some of the doubt and anxiety that simmers below the surface of the song’s more tranquil moments. It’s a new chapter of experimentation in songwriting for the band based in Melbourne, Australia, and it showcases the group’s ability to genre bend in favor of more widely expressive songwriting. Listen to “Blank Again” on Soundcloud and follow Garage Sale at the links below.

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Babel’s “Mirror” is an Elegantly Expressed Dream Pop Song About Heartbreak, Breakup and Reconciliation

Babel’s seemingly simple composition for “Mirrors” lets the song’s arc of heartbreak, breakup and reconciliation hit as more melancholic than painful. The subtlety of the tone of resignation in the early part of the song as it flows into acceptance and then evolves into hope is remarkable in showing how often our hearts and minds can so easily switch from one feeling to another once our situational comprehension shifts and how affection doesn’t need to go through a torturous and dramatic process. Not if you’re an adult who understands that no one and no situation is perfect or ideal and that one’s emotional state need not be black and white. The change from the more somber use of piano to ethereal guitar and synth at the end is also an effective touch to change up not just the mood but the quality of the energy of expression with a change of approach to parallel the one more psychological. Listen to “Mirrors” on YouTube and follow the Finnish dream pop band Babel at the links below.

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Orions Belte’s “When You’re Gone I’ll Be Gone” Fuses Classic Pop Melodicism and Noisy Psychedelia to Craft a Unique Soundtrack to Heartache

Orions Belte, photo courtesy the artists

Norwegian art pop group Orions Belte teamed up with Norway Grammy-nominated vocalist Louien aka Live Miranda Solberg for the delicate dream pop of “When You’re Gone I’ll Be Gone.” The track from the band’s new album Women (released October 6, 2023) is a bit of a departure for the trio well known for its amalgam of progressive rock, indie pop and psychedelia. Louien’s melodious vocals are like something out of an earlier decade of pop music backed by subtle low end and percussion accents. But later in the song Orions Belte comes in with the distorted and noisy psychedelia swimming in the keyboard melody sounding like it’s melting off the pristine, icicle tones and the song pulses in increasingly cacophonous glory before ending with a minimal tranquil riff on acoustic guitar. The song takes us through a gamut of emotional shifts befitting the song title and the lyrics delivered by Louien. Listen to “When You’re Gone I’ll Be Gone” on Spotify and follow Orions Belte at the links provided.

Orions Belte on Facebook

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jake minch Taps Deeply Into the Bittersweet Nostalgia of the Unstructured Time of the Summers of Our Youth on “strip mall”

During the late spring and summer of the early pandemic of 2020 it seemed like so much was up in the air and unless you were in a vital industry maybe you had plenty of time to indulge what it felt like to not have to be anywhere in particular at a particular time. Or if, like jake minch, you were in high school and it was a summer of talking with friends over video calls and bonding with friends in a way that involved a necessary physical distance but because you couldn’t necessarily make plans you could devote your time to these necessitated portals of communication and maybe that meant being more open and real and psychologically intimate than might have happened under normal circumstances resulting in a different kind of connection with your peers. For a brief period in our national history of recent years it seemed that most people recognized the fragility of their own existence and interdependence on other people they might have otherwise forgotten and that raw and vulnerable state of thing meant a bit more recognition of the value of other people in a way that wasn’t as obvious previously and an awareness that snapped back to business as usual soon enough. That extended liminal moment is what informs the emotional backdrop of minch’s song “strip mall.” With essentially just his delicate vocals and an acoustic guitar minch relates how memories of a t-shirt he saw an ex wear shopping at a strip mall when he returned home from college to visit and how that triggered an intense emotional resonance that brings him right back to the moments that helped define a significant moment in his life when he loved being younger and seeming to have all the time in the world to indulge in youthful exuberance and connections that seem like they’ll last forever in the context of one’s relative short life thus far but which wash past you quickly and maybe you hate that you’ll never be able to recapture that time in which you felt like you had so much freedom and endless possibilities even if there was a specter of a global pandemic in the case of minch and any other young person at that time. But many of us got to experience some of that energy again at a time in life when some adult concerns had of necessity to be put on hold for longer than we can consciously remember except in our youths. Maybe minch’s song is bittersweet and melancholy but it powerful conjures both those memories with the immediacy and accessibility of its emotional resonance in anchoring it to concrete imagery. Watch the video for “strip mall” on YouTube and follow jake minch on Instagram.

Galeet Dardashti Melds Traditional Persian-Jewish Music With Jazzy Post-punk on the Electrifying “Melekh”

Persian-Jewish singer, composer and anthropologist Galeet Dardashti collaborated with the voice of her late grandfather the late, Iranian singer Younes Dardashti on her latest album Monajat (released September 9, 2023). Sampling from an audio artifact that her grandfather recorded in Iran, Galeet artistically interpreted the Persian-Jewish Selihot ritual and crafted a call and response dynamic like time and space traveling on a set of music recorded and produced in a modern mode with the backing of Middle Eastern and jazz musicians in New York. The single “Melekh” puts the elder Dardashti’s vocals front and center in impassioned performance, the newer musical recordings setting a deep mood like a mix of alternative jazz lounge and Middle Eastern devotional music. The blend makes both somehow more accessible, the more traditional with a hip modern flavor like a new form of jazz rooted post-punk. Its a vibrant hybrid sound that both Dardashti’s sustain across all of Monajat. Listen to “Melekh” on Spotify where the rest of the album can be found as well for your listening pleasure.

Chris Ianuzzi’s Video for “Edge of the Earth” is a Visually and Sonically Mind-Bending Foray Into a Parallel Universe of Conscious Machines of the Future

Chris Ianuzzi, photo courtesy the artist

Chris Ianuzzi and his creative team of Serkan and ilke have crafted the perfect visualization for his song “Edge of the Earth.” Utilizing Stable Diffusion and Deforum AI SD Animation Pipeline, the music video looks like something Dash Shaw might use for his next animated film. After seeming to take a portal into the world inside the box of a set of synthesizer rigs, we see a group of people seemingly attending a deeply psychedelic live musical event with glowing mushroom trees and glowing sky objects with an ever shifting landscape with planets rising on the horizon and flowing architecture and coastline and colors and settings rapidly manifesting and evolving. The music itself sounds a little like a synth pop song as written by Coil working with Edward Ka-Spel. The combination is like multimedia uncanny valley and both menacing and entrancing. Unsettling and calming. In its endless use of patterns and color alongside sonics both textural and tonal, distorted and smoothly melodic the song and the video stimulate your brain in ways that a song and visuals crafted another way might not. And in the end we leave that universe through the aforementioned array of synthesizers into a tranquil exit. At a time when a a lot of psychedelic music feels pretty safe and rote this is the opposite of that. Watch the video for “Edge of the Earth” on YouTube and follow Chris Ianuzzi at the links below.

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Kylie Monologue’s Ambient Drone Piece “Terry And Keith” is the Soundtrack to a Haunted Universe

Kylie Monologue started making music in 2022 at age 52 and as a self-taught musician who cites early Human League and Autechre as among her influences it’s difficult to know what to expect. But her drone track “Terry And Keith” slow swims in ethereal winds and a sense of haunted desolation. If there’s ever a remake of the 1985 science fiction disaster film The Quiet Earth or someone soundtracks an as yet uncreated science fiction universe where the mysterious ruins of a fallen galactic empire is explored for the causes of its dissolution this is the sound of a scene spent in spooked wonder at the sight of hitherto unknown architectural styles and thoroughly alien artwork. Listen to “Terry And Keith” on Soundcloud and follow Kylie Monologue at the links below.

Kylie Monologue on Bandcamp

Great Northern’s Darkwave/Dream Pop Single “Bad Light” is a Song About Shedding Outmoded Habits and Stepping Into What Comes Next

Great Northern, photo courtesy the artists

In naming “Bad Light,” Great Northern says it refers to how “bad light” is when “the light is shown on something you don’t want to see. You’re exposed & there’s no going back. It’s all the ways we turn ourselves inside out to avoid change.” The song itself is a bit like a breakup song with our old selves and our old ways of being and a farewell to our habits that no longer serve our lives. The pulsing synths and soaring drones over the soulful yet introspective vocals sound like an easing of this journey. The progression from a more tranquil mood into one more impassioned as the song progresses is like the struggle with shaking off who we’ve been holding onto so much like it really is us and not a collection of behaviors we thought defined us. But in the end we hear a peaceful acceptance of the necessary change. Fans of Chromatics and Tamaryn will appreciate the emotional tenor and tonal inflections of this song and the new chapter of Great Northern who stepped away from the project in 2015 and returned with an even more creatively realized set of new material. Listen to “Bad Light” on YouTube and follow Great Northern at the links below.

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Great Northern on Bandcamp

Great Northern on Instagram

Joh Chase Shows Us How to Experience Joy in the Acceptance in the Impermanence of All Things and the Thrill of Genuine Connection on “Risking It With You”

Joh Chase poignantly expresses a deep appreciation for the impermanence of so many things in our lives in the spare composition of “Risking It With You.” In emotionally raw and vulnerable vocals and minimal, slightly distorted guitar we hear in Chase’s song the importance of being devoted to what makes our lives feel enriched by our connection with one another and the people we dare to love however long that bond lasts on either side of that connection. In the music video we see Chase looking into the camera with a variety of backgrounds seeming so serious until the end when they break into a smile as the song concludes. It is simply an arresting song about how we can’t control everything in our own lives much less that of other people and we have to be comfortable with this fact in order to live a rich existence that benefits from not being too attached to circumstances beyond our ability to predict or fully influence. But that’s one of the things that makes life feel so vital and there’s a freedom in not being too tied to what we think we need and who we think we are on our own or in partnership with anyone no matter how that partnership lasts. But the closing line of the choruses, “But something I know for sure: I’m devoted to risking it with you” honors those moments of romance and connection that you can share with someone for the duration and exult in that joy without a need for control. Watch the video for “Risking It With You” on YouTube and follow Joh Chase at the links below. Look for the new Joh Chase album in 2024 via Kill Rock Stars.

Joh Chase on Facebook

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Old Man Canyon Ponders the Virtues of Being Taken Away by Aliens From a Dysfunctional World on Downtempo Dream Pop Single “What’s Even Real Anymore”

Old Man Canyon’s song “What’s Even Real Anymore” is a song about reality and what we assume to be reality and its music video inspired by a supposed UFO sighting is a perfect visual presentation of the song. It combines computer animation with footage of actual people and a natural landscape near Kamloops, BC in the desert hills of Cache Creek. In the beginning we see two people staring into the sky from a gas covered hill when one of them is abducted by an alien or is it? The next scene is of the band’s vocalist sitting in one of those claw machines where you can, if you’re skilled and fortunate enough, retrieve a tchotchke for paying some coin for the opportunity to guide that claw into a pit of of toys, trinkets or other items. The song itself is a lush, minimal downtempo dream pop sort of affair with a cascading keyboard arpeggio and low key bass line under introspective and hazy vocals. The images switch between real imagery and those clearly animated. Even without the benefit of the visuals of the video the song shifts between heartfelt emotion and dissociative thoughts that can descend into your brain when you’re feeling overwhelmed and recovering from overstimulation and burnout. And there’s something soothing about that dynamic that in the end when we see our protagonist being abducted it might even seem like a desirable possibility to escape from our current struggles even if that means being taken away by a mysterious civilization of which we have no knowledge or frame of references. But who that has lived in this era of late capitalism hasn’t felt this stirring in the imagination? Watch the video for “What’s Even Real Anymore” on YouTube and connect with Old Man Canyon at the links provided.