FINJA’s New Age Folk “Calling You Home” Reminds us to Trust Our Inner Voice And Higher Self

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FINJA, photo courtesy the artist

When the rain stick and gentle strum come in with Finja Olsen’s all but wordless vocals at the beginning of “Calling You Home” by Olsen’s project FINJA it might make some listeners think of all that New Age/pagan music from the 80s and early 90s that was trying too hard to mix folk with alternative spiritual ideas. Like wannabe Patrick O’Hearn or Clannad. There is some of that here but upon further listening to the song it’s obvious that Olsen and her collaborators are willing to get a little weird as the track progresses with inventive use and processing of sounds like a toy piano and cajon to make for an array of sounds rich in texture and coming together in a complex but never over-complicated dynamics. And there’s no knocking the message about listening to your inner voice, the one connected to a benevolent collective unconscious, when it comes knocking on your conscious, sometimes overly locked into a stream of linear logic, and trust the messages from within, instinct as a tool to trust and have some faith in your own capacities freed of terror the Western cultural conditioning often has of the “irrational” and the dark side of the psyche. As Olsen sings, “fear and insecurity do not look good on thee,” a message inherent in some Eastern spiritual traditions as well as Western mysticism and a theme of Ursula K. Le Guin’s original Earthsea Trilogy in the reconciliation between the dark and the light side, the rational and the irrational. In so many ways it would be easy to dismiss this as some hokey hippie stuff but FINJA aims at a more cosmic perspective with the lyrics and personalizes them and grounds it in music that reflects the paradoxically myriad simplicity of our existence and our interconnectedness with the universe.

soundcloud.com/finjamusic
open.spotify.com/artist/7kvAsFqJkNtEA88L2GmsdC
instagram.com/lovefinjamusic

“She…Breathes,” Pulseblink’s Collaboration With Maria Skaaren, Is a Lushly Emotional Meditation on Human Imperfection

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Pulseblink, photo courtesy the artist

Maria Skaaren’s vocals brings a brightness and warmth to “She…Breathes” by Pulseblink. The latter is producer Tim Brookes’ project in which he composes the track and recruits collaborators from around the world including the aforementioned Norwegian singer. The song sounds like a particularly smoothly assembled and laid out set of evocative samples. The short bursts of white noise as percussion, brooding piano, arcs of synth, minimalist bell tones, bubbling electronic sounds and washes of sound give the song a textural and melodic aspect that combines the qualities of both while giving an informal depth of sonic field. It speaks to meticulous and thoughtful editing. There are through layers and sections that repeat but the overall effect is one that envelops you in a shared moment of emotional intimacy and a mutual compassion for human frailty. Listen below and explore Pulseblink’s catalog further at the links provided including his new Reveal EP.

htr.org.uk/pulseblink
open.spotify.com/artist/74d4jdZJ6cvRKKxGZ3Rte3

Unwed Sailor Flexes Its Gift for Interlocking and Expressive Compound Rhythms on “Gone Jungle”

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Unwed Sailor, photo courtesy the artists

Unwed Sailor’s new album Heavy Age came out in May 2019, its first since 2008. The veteran post-rock band lead by former Pedro the Lion bassist Johnathan Ford excels at a balanced dynamism between all the instrumentation. Too often post-rock bands are dominated by guitar but the main melody at least on the band’s new single “Gone Jungle” is carried and even driven by buoyant bass chords. Keyboard texture-tones shimmer sharply throughout and the percussion switches smoothly between a tribal beat and a more prog rock style compound time signature. That kind of structure to the song, with its interlocking streams of sound, allows for a wide range of expression and an adaptive rhythm. The song evolved effortlessly from great forward momentum to introspective passages where minimal guitar figures stand out by not being flashy. That the emphasis is on the rhythm is what separates this song from a lot of post-rock where the atmosphere and melody is dominant. That Unwed Sailor is a trio makes this an even more impressive feature of the songwriting. “Gone Jungle” was recorded after the Heavy Age sessions and points to an interesting direction for the band going forward. Listen below and follow Unwed Sailor at the links provided.

soundcloud.com/unwedsailor
youtube.com/channel/UCQKDRn65yukvVuTuMyfjUXw
unwedsailor.bandcamp.com/album/heavy-age
twitter.com/unwedsailor
facebook.com/unwedsailor
instagram.com/unwedsailor

Grey Mcmurray Turns Inner Turmoil Into Introspective Avant-Garde Art On “Wanting Ways”

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Grey Mcmurray, photo courtesy the artist

Grey Mcmurray is a co-leader of Tongues in Trees with Samita Sinha and Sunny Jain. He’s worked as a musician with the likes of Gil-Scott Heron, Tyondai Braxton, Beth Orton, Colin Stetson and John Cale. To name a few. His new solo album Stay Up as represented by the single “Wanting Ways” begins as a kind of alien pop song with his almost spoken tenor spinning a reflective tale of mental and chronic illness and the struggle to keep from going completely over the edge. Throughout Mcmurray exerts an inspired control over where the guitar, nearly unrecognizable as such, to accent and keep pace as synths wash and elevate the mood. The song balances perfectly an enigmatic quality, playfulness and an emotional openness. If the song is the sound of falling apart it is also that of pulling oneself back together through the aforementioned creative capacities and turning turmoil into art. Listen on Soundcloud and follow Mcmurray’s eclectic and distinguished career at the links below.

twitter.com/figureight8
facebook.com/figureightrecords
instagram.com/muchgrey

The Melancholic Urgency of “Transitory Reality” by NOUS Is Inner Sound of Creative Isolation

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NOUS, photo courtesy the artists

The melancholic urgency of “Transitory Reality” comes after an impressionistic build like the beginning of a prolonged snowstorm. That such precision in dynamics should come as no surprise with the project NOUS. For this assemblage, composer Christopher Bono brought together a broad spectrum of talent from not only his own other group Ghost Against Ghost, but members of Swans, Liturgy, the ACME ensemble and Ben Frost. Thor Harris, Shahzad Ismaily and Grey Mcmurray comprise the core of the group with guests Clarice Jensen, Caleb Burhans, Laura Lutzke, Alex Sopp, Laraaji and Artji playing on the recordings. “Transitory Reality” comes in like the aforementioned storm and outros like it too with upward sweeping whorls of white noise and mournful strings. It is the sound of the kind of music one might imagine if trapped in a remote house to work on a creative project in the dead of winter as the blizzard of the century hits and you realize that you’re not sure you’ve sufficiently stocked up for the duration. So you set to the work at hand not knowing if you will see it to completion. Fans of MONO and Godspeed You! Black Emperor will appreciate the quiet grandeur of this song. The collective has other recordings in the works and you can follow the group at its website link after listening to “Transitory Reality” below.

allnous.com

Jenny Kern’s Artful Restraint Gives “Build a Bridge” Enhances Its Message of Grace and Mutual Kindness

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Jenny Kern, photo courtesy the artist

Jenny Kern’s “Build a Bridge” is subtle in its unpredictability. The dreamy finger picked, guitar figure that gets the song off to a start with Kern’s breathy and expressive vocals and minimal percussion–kick and a touch of washboard-y snare. But in the background simmers a mysteriously melodic sound that becomes more prominent as the percussion, live kit and electronic, becomes more complex with the addition of nearly abstract but unmistakable bass. The building of layers is masterful in itself but even more so with the restraint that Kern exerts as a songwriter. There is no big blow out or performative melodrama near the end. Rather, the song crescendos with a grace and gentility perfect for a song about taking steps to rebuilding a relationship and not rushing back into it. Listen to “Build a Bridge” on Soundcloud and listen to more of Kern’s new EP through the links below.

jennykernmusic.com
soundcloud.com/jennykernmusic
open.spotify.com/artist/4SuBL2GsDPfdX1oeOUDvA0
twitter.com/jennykernmusic
facebook.com/jennykernmusic
instagram.com/jennykernmusic

Richy Mitch & The Coal Miners Blur the Lines Between Pop, IDM and Folk With the Sublimely Lush “Ivy”

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Richy Mitch & The Coal Miners, photo courtesy the artists

The chime-y guitar opening “Ivy” by Richy Mitch & The Coal Miners sounds like it has to be some sort of keyboard but it’s one of the elements song that renders it more than a nice folk-Americana. The dusky keys and wisps of synth accenting the between spaces of the melody give the song a great sense of physical and emotional space within the context of a composition that also feels warm and intimate. The lushness of tone and the downtempo beat blurs the line between a sort of indie folk with electronic elements and pop IDM for a song that takes you from a sense of the organic and up close to a the tranquilly sublime. Which is an interesting progression given the subject of the song going from initial infatuation to a deeper kind of love and appreciation of another person for who they are completely. The group recently released the aptly titled full length, Subliming on June 20 from which “Ivy” hails and it’s a record that isn’t short on inventively atmospheric pop songs with a sense of something larger than one’s immediate context. Listen below and follow the band and check out the full album at the links provided.

rmcmband.com
soundcloud.com/richy-mitch-and-the-coalminers
open.spotify.com/artist/4qU7IJSReZnsLy5907Mtau
youtube.com/channel/UCBddROx669SGoP4aMaGP_lw/videos
richymitchandthecoalminers.bandcamp.com/releases
twitter.com/RMCMband
facebook.com/RMCMBand
instagram.com/rmcmband

 

Since November Considers the Folly of Imagined Universal Expertise on “Airplane Astronaut”

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Since November, still courtesy the artist (from the video for “Airplane Astronaut”)

“Airplane Astronaut” by Since November is in some ways the manner in which we elevate people in certain professions with a greater degree of generalized expertise than they necessarily deserve. In this case, an astronaut who wasn’t necessarily a Chuck Yeager type who was one of the greatest airplane pilots of all time (and didn’t become an astronaut but whose pioneering work in flight helped further progress toward space flight) or he was and that skill set isn’t built for piloting commercial aircraft. This astronaut figures sure why not Google how to do it and that’ll be good enough. But as you can see in the video he comes to accept his limitations and his true destiny as a traveler to the stars who doesn’t and doesn’t need to know everything. Set to beautifully melodic, ethereal pop music fitting the idea of fantasy and reconciliation with one’s actual abilities, “Airplane Astronaut” is the third single of Since November’s fascinating “space saga.” Musically more Peter Schilling than Bowie, Since November uses the language of pop music to comment on human folly in a thoughtful and kind way. Watch below and follow Since November’s musical navigations into the great beyond at the links provided.

sincenovember.com
facebook.com/sincenovember
instagram.com/tomimakila

“gen” by iuky Has a Hazy, Drift-y Melody That is Both Intimate and Otherworldly

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iuky, image courtesy the artist

Madrid-base iuky has in “gen” written a song that is couched in sort of bedroom post-chillwave electronic pop. But in many ways its organic quality and dream-like shrouds of hazy tones is reminiscent of both Animal Collective and Pygmalion-period Slowdive. That its about the feeling of being in a dream from which one cannot awake is telling because it has the tone of being trapped inside one’s head and cast adrift on emotions and memory. The falsetto vocals swim slowly through the fog of slowly arcing synth drones giving the song an intimate yet alien quality that is itself hard to shake like a dream that won’t let go when it’s time to get on with your day. Iuky has an EP due out later this year and for now you can watch the surreal video for “gen” below and keep track of iuky’s musical adventures at the links provided.

open.spotify.com/artist/0DSyNVb6qcsOmbTTN1Yzs9
youtube.com/channel/UCOOx9WsB3OESLXOcYI3ok4g
instagram.com/iuky.io

“Silicon skeleton” is Arthrn’s Melancholic Ode to an Idealized Love Lost

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Arthrn, image courtesy the artist

“Silicon skeleton” has a beautiful desolation to its hush, downtempo beat. Like the memories of something long lost but also cherished in a way you keep to yourself because it’s so pure and close to your heart you want to protect it as a place to return to that isn’t tarnished and sullied by too much examination and the tarnish of intervening life experience. It’s almost mournful in tone acknowledging that nothing else has quite measured up and that maybe nothing ever can despite any flaws that didn’t matter at the time. But in that realization that it’s possible again. Sonically it’s downtempo IDM with hip-hop-flavored vocals but the song transcends narrow genre designations in its ethereal beauty. Listen below and follow French producer and composer Arthrn at the links provided.

soundcloud.com/arthrn
open.spotify.com/artist/567CiwwIX4AhlOQ8qYivml
youtube.com/watch
twitter.com/arthrn_