The Enigmatic “Ancestor” by Unseen Echo Evokes Remote Places of the World Where Humans Rarely Visit

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Unseen Echo, image courtesy the artist

“Ancestor” draws you into a deep soundscape of far horizons lightly shrouded in mist. Its streaming melodies and distant low end gives the track a sense of vastness into which the more fiery guitar line and tribal drumming can resonate out into. It works as an ambient track but has too many concrete sonic figures to fully work as background. Rather, as a soundtrack to life in the remote islands of the South Pacific rarely visited by humans, a companion soundtrack to Hans Zimmer’s score for Blue Planet II. Or of a documentary about the life cycle of the albatross with the songs elegant dynamics and a sense of comfortable solitude. The mixture of fluidity and heat in the composition is a bit like a New Age progressive rock song but way more introspective and far less busy than much of that music.

unseenecho.com
instagram.com/unseenecho
facebook.com/Unseen-Echo-441519976255141

Lil Primo’s “Ignorant” is a Critique of Willful Ignorance as a Tool of Internalized Oppression

“Ignorant” is a critique of willful state of mind despite all the negative, violent stuff going on around you and in your own life from gun shots in the neighborhood, vulture developers, lack of self-accountability to making excuses for self-destructive and generally destructive behavior. It calls for an awareness and a conscious reaction to these things so the real conversations to address the roots of social and psychological issues rather than a passive acceptance of things as they are. Too often in America we accept not a status quo but a stasis that keeps us from challenging power whether from a corrupt presidential administration, a power tripping supervisor, our own position of power over others or others over us used to coerce and manipulate or a “system” that benefits the very few at the expense of the many based on lines of ethnicity, race, gender, sexuality or legal or economic status. “Ignorant” by hip-hop artist Lil Primo reminds us that to keep ignoring those pressures on an everyday basis means we will probably ignore it on the macro scale that more than a few people worldwide have been feeling so poignantly. The beat is haunting yet urgent and the emotional tenor of Lil Primo’s vocals compassionately concerned. Follow Lil Primo at the links below.

soundcloud.com/wessidelilprimo
open.spotify.com/artist/66bTiXhV6mBQT6ws1yuQdZ
instagram.com/wesside_lil_primo

Mystery Friends’ “See Right Through” is a Jaunty Anthem of Vulnerability and Personal Resilience

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Mystery Friends, Past & Future Self album cover (cropped)

The jaunty pace of “See Right Through,” the lead track from Mystery Friends’ debut album Past & Future Self, lends the song a freshness and charm that made all those C86-era and Sarah Records songs endlessly listenable. Combining a breeziness of tone with introspective and confessional lyrics, “See Right Through” reveals a vulnerability and personal resilience that is always a winning alchemy in pop music because everyone feels sensitive about so much in life and we get hurt or feel exposed and yet we have to find our peace with it and, if the situation calls for it, the strength to work through our insecurities and failings. Less synth-driven than some of the other songs on the record, this composition is given some of its dynamic buoyancy by Robbie Lee’s treble-y and melodic bass line that is the ideal counterpoint to Abby Sevcik’s luminous vocals. Listen to the single below and follow the DC band at the links provided.

mysteryfriendsmusic.com
soundcloud.com/mysteryfriendsband
open.spotify.com/artist/1nkamhZ86zDvuB1HB3Wq8y
mysteryfriends.bandcamp.com
twitter.com/MysteryFriends
facebook.com/mysteryfriendsband
instagram.com/mysteryfriends

Hunnid Evokes the Spirit of Chicago’s Southside in “Drip Too Hard”

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Hunnid, photo courtesy the artist

With a relentless flow of references and imagery, “Drip Too Hard (CCG Mix)” by Hunnid draws for us in rich detail life coming up on the Chicago’s Southside. The gangs, the grind, the struggles, striving for self-improvement and ultimately keeping your head above water and the poetry that comes out of those experiences. The video for the song features Hunnid rapping with a brisk cadence and packing so much content into each line with an impressive economy. The insistent, dreamlike beat, a sample of warping guitar, shuffled claps and clicks like drum sticks on a wooden block, accents Hunnid’s storytelling perfectly. Throughout the song there isn’t some kind of tough pose, rather an attempt at preserving sensitivity and not being inured to hardship by becoming hard oneself. The music video is vibrant, urban scenery, graffiti and all, with Hunnid and his colleagues representing the kinds of people you might see every day in the Windy City. And of course a crane or two in the backdrop just like every rapidly gentrifying city of size in recent years. See the video below and check out Hunnid’s other musical adventures at the links following.

keepit1oo.com/home
soundcloud.com/hunnid-2
open.spotify.com/artist/2fA2gTgVlYNhArTuXvHwy0
youtube.com/channel/UCkIiLVOUS_yNjNPYMKTxq5A
twitter.com/Hunnid_CCG
facebook.com/HunnidCCG
instagram.com/hunnid_ccg

“Come Set Me Free” is Miles Monroe’s Psych Grunge Dub Noise Punk Cut-Up Extravaganza

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Miles Monroe, photo courtesy the artist

“Come Set Me Free” finds Miles Monroe getting things going with what might be described as a psych grunge dub of echoing vocals and riffs. As though he’d listened to a whole lot of Adrian Sherwood laying down the bizarro remix on a Siltbreeze noise punk cut-up tape. Something which the producer never did. But that’s the kind of strange Monroe brings to the first half of the song. Then it becomes some kind of lo-fi Alice Donut inspired stream-of-consciousness warped raga akin to early Butthole Surfers or Flaming Lips. If Eat Skull, Psychedelic Horseshit and Pink Reason decided to record with more conventional clarity they might be making something like this now. Take a big draught of the song below and follow Miles Monroe’s adventures to sonic outer space at the links provided.

open.spotify.com/artist/7EwexDVQiIuQ9ZUAFijmJP
twitter.com/blank_monroe
instagram.com/blank_monroe

Tsägä’s “Tuuleen” is a Downtempo Krautrock Post-Punk Song Brimming With Melancholic Urgency

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Tsägä, photo courtesy the artists

Tsägä’s “Tuuleen” builds with some unconventional percussion reminiscent of Can into a chill soundscape with expressive vocals floating into ethereal heights. The lyrics are in Finnish so if you don’t understand Finnish don’t worry. It is, after all just a relatively short song and not The Kalevala if you’re trying to figure out the actual lyrics. At any rate, plenty of us listened to Sigur Ros and had no clue what those songs were about especially when the claim was it was in “Hopelandish,” a made-up language. But the music was moving and Jónsi such a gifted vocalist he conveyed an emotional truth that could resonate with anyone. As with that band the tone of the singing here communicates the mood powerfully as well with a melancholic urgency. Musically it sounds like something that could have come out of Bristol in the 90s combined with the more organic Krautrock of the 1970s—manipulation of textural tones and all. If a post-punk band skipped three or four decades of obvious influence and took in not only what influenced the likes of Bauhaus and Joy Division but also 90s and 2000s downtempo, deep house and minimal synth it would sound as wonderfully unusual and haunting as “Tuuleen.” Listen below and follow the band from Vallila, Finland on their Facebook page.

facebook.com/tsagaband

“Invisible Closet” by Sara Gougeon is a Tender Anthem About Respecting Personal Boundaries

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Sara Gougeon, photo courtesy the artist

Sara Gougeon’s “Invisible Closet” calls for coworkers, friends and family to respect the space of those who are not ready to come out yet. The spare guitar and gently strummed guitar melody and Gougeon’s intimate vocal delivery could apply to any situation calling for grace, sensitivity and respect for the boundaries of other people. The hush cymbals and minimal percussion and strings bring out the delicacy of the composition beautifully. While not obviously influenced by “Silent All These Years” by Tori Amos and “If It Be Your Will” by Leonard Cohen it shares with those songs a tender and compassionate sensibility that is rare in popular music where often ego, swagger and brashness are the most valued qualities. Sometimes a gentle touch is much more powerful and benevolent sensitivity a more effective frame of mind in songwriting. Listen below and follow Sara Gougeon at the links provided.

saragougeon.com
open.spotify.com/artist/0A27xj3ZrrkvKraFFjmuEN
youtube.com/channel/UCvMWgxAGFZZWj6JJWrTUKNQ
facebook.com/saragougeonmusic
instagram.com/saragougeon

“Lightworker” by Aura Gaze Evokes the Tranquil Spirit of a Vast, Hidden Forest Discovered at the Roof of the World

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Aura Gaze, image courtesy the artist

Like beams of sunshine streaming deep into the algae rich waters of a hidden lake, the melodic drone of “Lightworker” by Aura Gaze brings a sense of calm and wonder. The enigmatic wind chimes and breezy white noise swirl around a shimmering synth figure, following it beyond the immediate reach of that solar illumination, which in the field of sound becomes a vague notion in the blue green mist. Alternately it suggests great vistas of arboreal splendor protected from the ravages of human industry by mountain peaks forbidding to summit and to descend into the immense valley where earth’s oldest living plants have taken root since time immemorial. It’s reminiscent of Popol Vuh’s work for Werner Herzog’s Aguirre the Wrath of God. But whereas there is an immense sense of melancholy to that work, there is a one of warmth and benign spirits to this song. Listen below, listen more to the full-length Eternal Hymns and follow Aura Gaze at the links provided.

facebook.com/auragazemusic
auragaze.bandcamp.com

Freedom Fry Attain a Psychedelic Zen State With a Simple Song About Their Dog on “Me and Bonnie”

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Freedom Fry, photo courtesy the artists

“Me and Bonnie,” the latest single from the Rio Grande EP by Freedom Fry could be said to simply be an affectionate ode to the duo’s dog. Granted, their dog goes on all their tours and is a constant presence in their life. In the song Freedom Fry takes Bonnie for a walk as usual but this walk, as mundane and ritualistic as it can be, turns into something extraordinary and colorful as both band and Bonnie take in the world’s hidden features by paying closer attention to their surroundings while simultaneously allowing their imaginations to roam and getting into the hypnotic, and inherently gently trippy, aspect of the daily repetition and its endless variety if you’re not tuned out of your everyday world. And when you’re on tour a nowhere town or rest stop can be an adventure if you’re in the right frame of mind. Freedom Fry has a gift for taking simple elements and combining them in a manner that gives repetitive musical figures an expansive and entrancing quality. Check out the video below and follow Freedom Fry at any of the links provided.

soundcloud.com/freedomfry
open.spotify.com/artist/195hFqaTDENqLCcG8uGtM7
youtube.com/freedomfrymusic
twitter.com/freedomfrymusic
facebook.com/freedomfrymusic

Wandour’s “Distance” Captures Perfectly The Sleepy Times of Post-Industrial Urban America Pre-Rampant Re-Development

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Wandour, image courtesy the artist

If you live in a city of any real size there’s probably an district or oil refinery or a similarly bleak urban/suburban feature that seems at odds with a good human life and yet which offers a kind of tranquil if brutal beauty contrasted with the lights of the city center. “Distance” by Wandour articulates that space, psychologically and physically, well and how they’re often not so far apart and visible to each other. The orange haze of sodium bulbs painting the night sky a pale tangerine unless you’re sufficiently far enough over the horizon to escape its nimbus. The bell tone, on the border of being off-putting, is the sound of the train gates alerting drivers to stop or be aware of a rail-traveling behemoth on the way whether transit or hundreds of coal cars in winter to potentially interrupt your journey through town. It is the sound of the late night when the lights of the city signify mostly signage of corporate giants broadcasting their dominance over the landscape rather than actual human activity. And yet there’s a certain dystopian beauty to it that only people who have lived in towns with ample urban decay can fully appreciate because that distance between the business centers and the spaces where industrial activity occurs is where creative people have long been able to conduct their activities in the passive benevolence of parts of town considered undesirable. Parts of town, frankly, quickly disappearing in most cities considered cool and made that way by the city’s artists and visionary entrepreneurs. Is the song mourning the erosion of that reality? Perhaps but in doing so Wandour has captured the essence of that experience before gentrification and reckless development have washed it all away. The song is from the Night Wandering EP and a more perfect title for this kind of music would be difficult to conjure. Listen below and follow Wandour at the links provided.

soundcloud.com/wandour
open.spotify.com/artist/3Ak1a7Dr0OryHJZbiFbnFr