Queen City Sounds Podcast – Page 4 – Queen City Sounds and Art

Queen City Sounds Podcast S5E04: Mike Baggetta of mssv

Comprised of guitarist and vocalist Mike Bagetta, bassist mike watt and drummer Stephen Hodges, mssv is a band whose music defies easy genre categorization. Early on it was mostly or entirely instrumental but with vocals introduced more prominently on its second studio album Human Reaction and an attentive listener can hear rock and jazz roots in the mix with elements of improvisation. But on the group’s new record On And On (out March 7, 2025 via BIG EGO Records on vinyl, download and streaming) the detailed songcraft makes it obvious that the group has always been about songs but that this time the loose concept album explore themes of impermanence and chance in society, in our, on the planet and in our own minds. Utilizing detailed compositions and a keen ear for atmosphere and texture in building the emotional resonance of the songs the band uses the vehicle of the album as a commentary on and celebration of the life we live every day and its own essential significance to everything connected to it.

Listen to our interview with Mike Baggetta and follow the musician and songwriter as well as mssv at the links below.

mikebaggetta.com

mainsteamstopvalve.com

Queen City Sounds Podcast S5E03: Nikki O’Neill

Nikki O’Neill, photo courtesy the artist

Nikki O’Neill was born in Los Angeles but mostly grew up in Stockholm, Sweden and now calls Chicago home. The cultural influences in her development as a human probably goes some way to explain how her fusion of Americana, Soul, Gospel and Blues comes off like a confident yet self-aware manifestation of the finely honed pop songs of the late 70s and early 80s with some of its own roots in R&B. O’Neill’s new, and third solo, record Stories I Only Tell My Friends dropped March 14, 2025 on 12” LP vinyl CD, digital download and streaming. The album is full of vibrant energy and instantly relatable tales of having moved from the West Coast to the Midwest and holding on to a sense of self that isn’t jaded and numbed by the pace and demands of our current society. Throughout the record, O’Neill seems to struggle and come to terms with existential doubt, demonstrating she is more than slightly familiar with the importance of learning to come at the world like you’re new to so many things again and again to bring a freshness of spirit to life and one’s creative work. The effort to do so abundant from song to song.

Listen to our interview with Nikki O’Neill on Bandcamp and follow O’Neill at the links below.

nikkioneill.com

Nikki O’Neill on YouTube

Nikki O’Neill on Instagram

Nikki O’Neill on Facebook

Nikki O’Neill on Bandcamp

Nikki O’Neill on Bandsintown

Nikki O’Neill on Bluesky

Nikki O’Neill on Apple Music

Queen City Sounds Podcast S5E02: Michigan Rattlers

Michigan Rattlers, photo courtesy the artists

Michigan Rattlers is a band of lifelong friends who have been in bands together since they were in their early teens and started recording their songs in 2016 under their current name. The band’s first two albums offered beautifully pastoral Americana about everyday life, articulating the aspirations of yearnings that would be recognizable instantly to anyone that has spent more than a few months contemplating what it is you really want and what you have and what you value. The 2024 album Waving From A Sea is a creative leap forward for the band with more atmospheric elements and a songwriting style more in line with the kind of power pop one heard in the late 70s or in a more modern era with the likes of The War on Drugs. The songs tie the feelings to a strong sense of place both physically and psychologically at a time when you’re re-orienting your life and finding the anchors in your psyche that remind you of the contexts that have helped shape you and the boundaries you have moved beyond.

Listen to our interview with singer Graham Young on Bandcamp and follow Michigan Rattlers at the links below. Michigan Rattlers are currently on tour with a stop at Meow Wolf in Denver on Thursday, February 20, 2025 with Elias Hix, doors 7pm.

michiganrattlers.com

Michigan Rattlers on Facebook

Michigan Rattlers on Apple Music

Michigan Rattlers on Bands In Town

Queen City Sounds Podcast S5E01: The Velveteers

The Velveteers, photo by Jason Thomas Geering

The Velveteers are a rock trio from Boulder, Colorado that has blossomed from humble origins playing house shows and DIY venues in the mid-2010s after forming in 2014 to touring internationally with the likes of Great Van Fleet and Black Keys. Dan Auerbach of the latter took a liking to the band and produced and released the 2021 debut full-length Nightmare Daydream on his Easy Eye Sound imprint. That record demonstrated that the group had moved beyond some of its more blues rock/garage rock early days into something with more musical depth and with something to say regarding the vagaries of society, identity, self-image and sexism. A little over three years later The Velveteers are releasing their second album A Million Knives which reveals the band’s further explorations into integrating an electronic music aesthetic and songwriting into its core sound of vulnerable pop songs charged with raw emotional power. The themes of the record involve the complexities of navigating relationships and one’s aspirations. Underlying it all are elements of heartbreak of all varieties—the interpersonal, the kind when one’s expectations and dreams find reality lacking from the world and from oneself and the sort stemming from disappointment. But as the album makes it obvious, finding the will and energy to pull yourself back from that brink. Following an album release show on February 14, 2025, expect to find The Velveteers undertaking a tour throughout the American West, Texas and states connected to Colorado.

Listen to our interview with Demi Demitro of The Velveteers on Bandcamp and follow the band at the links below. Catch The Velveteers live for the album release show at the Hi-Dive on Friday, February 14, 2025 with Cherry Spit and Diva Cup. Doors 7pm, show 8pm.

thevelveteers.com

The Velveteers on Instagram

Queen City Sounds Podcast S4E50: Captain’s Audio Project

Captain’s Audio Project, photo by Faerin Millington

Captain’s Audio Project is the solo project of Portland, Oregon band Trashcan Joe’s James Cook. The songwriter and mult-instrumentalist is releasing his debut album Waiting For The Moon under that new moniker on February 28, 2025 on vinyl LP, CD, digital download and via streaming services. Whereas Trashcan Joe is a full band known for including instruments made from found objects as part of its sound hearkening to early jazz, Captain’s Audio Project was built on a foundation of Cook’s vocals and a 1931 National Tenor Resonator Guitar with other instruments and guest musicians overdubbed to fill out the sound when it felt appropriate. But the core appeal of the new record is how it feels like a fusion of indie pop and chamber folk performed with an intimate feel like something sung around a campfire after dinner with friends sharing stories.

Listen to our interview with James Cook on Bandcamp and follow Captain’s Audio Project at the links below.

Captain’s Audio Project on Facebook

Queen City Sounds Podcast S4E49: Extra Kool and Time

Extra Kool and Time, photo by Tom Murphy

Extra Kool and Time recently released their album The Grimies for streaming, digital download and limited green vinyl. The record represents the product of decades of working together playing shows and on each other’s respective tracks. Danny Vincennie aka Extra Kool and Chris Steele aka Time are two of the most gifted lyricists and rappers in Denver of recent years but their work has not often been championed in local much less national press and culture. Several years back they worked on tracks together in a project they called The Grimies with singles that appeared on obscure compilations now challenging to track down. But separately and contributing to each other’s work they have written poignantly personal and vulnerable, insightful, emotional songs about life and society that are vibrant and heartbreaking. Time has frequently released music with the brilliant producer AwareNess as the experimental hip-hop duo Calm. and along with Extra Kool and artists under the label umbrella of The Dirty Laboratory they were a force in alternative hip-hop in the 2000s. That world imploded or faded away in “commercial relevance” if not in impact in influence around the 2010s but the legacy of that time has continued in the more interesting hip-hop of today and certainly Time and Extra Kool didn’t stop creating powerful work just because the crumbling music culture wasn’t shining as much of a spotlight on alternative hip-hop for a long time. In September 2024 Extra Kool and Time finally released their fully collaborative album titled The Grimes. It’s full of vivid and emotionally resonant bars traded by both artists with tales of Denver and existential exploration of what endures in the mind and heart long term, the ghosts that haunt us, our communities and our various cultures. It’s a deep record with richly realized production from the likes of Fumes the Threat, AwareNess, Satyr and Preacher vs. Choir with contributions from Illogic. The record is rich with pop culture references used with a cleverness and poetry that makes the music fun and insightful even as it delves into heavier subjects.

Listen to our interview with Extra Kool and Time on Bandcamp and follow the artists at the links below. The vinyl can be purchased on the Bandcamp or at select Denver record shops.

Time on Instagram

Time on Bandcamp

Extra Kool on Instagram

Extra Kool on Bandcamp

Queen City Sounds Podcast S4E48: Oryx

Oryx is a trio based in Denver that has been evolving its evolving its unique style of heavy music since forming in 2012. When the band emerged it’s grittily colossal metal sound fit in well with the then ascendant doom metal underground with roots in sludge rock and grindcore. Early Oryx shows and releases showcased a band seemingly able to balance a precise musicianship with a wall of sound that felt spontaneous and on the verge of collapse. It suited well the band’s lyrics that evoked the precarious place the world has been in due to the effects of human civilization under the yoke of rapacious capitalism driven by greed and the accumulation of wealth into a few hands at the expense of all.

Some of Oryx’s early music had a thrilling density of frequency and rhythm but something about their shows have felt cathartic and liberating. That component of the group’s identity has manifested most fully in terms of songwriting on its new record Primordial Sky. The album doesn’t skimp on the beautifully brutal riffs and elegantly pummeling rhythms but also there is a wide open quality that while the lyrics describe a world on the brink of being post-human due to the hubris of societies that seem to be taking a casual attitude toward anthropogenic climate catastrophe and feckless approach to the rise of fascism and authoritarianism worldwide which have historically accelerated mass destruction. And yet the Oryx album doesn’t sound like it’s built on despair. Instead its poetic and mythical lyrics and the sound of the music come off as both looking at the world to come and looking back from another era when the current one we’re living in has passed. The band’s 2021 album Lamenting a Dead World seemed like an angrier affair but one with an accurate diagnosis of the state of things. The new album isn’t hopeful per se but realistic in its spirit of looking forward to a time when things can begin again without the toxic legacy of the world now to poison the possibilities.

Listen to our interview with Oryx on Bandcamp and follow the group at the links below. Primordial Sky is available on streaming, digital download and cassette from their Bandcamp page and on colored vinyl through Translation Loss Records.

Oryx on Facebook

Oryx on Instagram

Oryx on Bluesky

Oryx on Translation Loss Records

Oryx LinkTree

Queen City Sounds Podcast S4E47: Luna Honey

Luna Honey from Philadelphia recently issued its latest work of musical alchemy with the November 22, 2024 release of the album Bound. Since its 2017 inception the group has been impossible to tag with a narrow genre designation not for lack of creative coherence but because it draws on disparate roots of influence and experiments with sound sources and organic and electronic production. But fans of the likes of late-80s and beyond Swans, Dead Can Dance and Live Skull will find a similar resonance in Luna Honey’s facility with channeling personal darkness into beautifully transcendent and cathartic pieces of music. The band’s sound is not limited to notions of post-punk, noise rock, tribal industrial, its albums span a range of tones and moods to serve a creative vision and impulse to make music that goes beyond mere entertainment and diversion from everyday life to get at something deeper. Luna Honey singer/guitarist Maura Pond collaborated long distance with former Swans guitarist Norman Westberg on the 2023 Luna Honey album Aftermath which was a meditation on and expression of loss and grief. Bound despite, or perhaps because of, its title feels like a reckoning, a coming to terms with, a struggling against arbitrary and artificial limitations and definitions that circumscribe and limit our lives. Pond’s expressive, ritualistic and at times operatic vocals and the controlled maelstrom of sounds like standard music forms stretched and twisted against standard tonality and structure make for a memorable listening experience.

Listen to our interview with Maura Pond of Luna Honey on Bandcamp and follow the band at the links below.

lunahoney.com

Luna Honey on Instagram

Luna Honey on Facebook

Queen City Sounds Podcast S4E46: Chris Greene

Chris Greene Quarter, photo courtesy the artists

Chris Greene Quartet released its eleventh album Conversance on October 19, 2024 on LP, CD, digital download and streaming via respected indie rock label Pravda Records marking it as the first jazz album issued by the imprint. Greene and his band based out of Chicago is a saxophonist whose talents have contributed to recordings by Windy City luminaries such as Steve Dawson and Nora O’Connor and he has performed with the likes of Common and Andrew Bird. Greene’s post-bop style incorporates ideas from funk and hip-hop but the methods and sounds are in that jazz ensemble vein in which each member of the band contributes in synergistic ways toward dynamic and energetic arrangements that establish an immediate and flowing mood. The new album reveals not just the Quartet’s musical creativity and prowess but also its knowledge of the history and legacy of the artforms that inform its aesthetic and craft.

Listen to our interview with Chris Greene on Bandcamp and follow the band leader and his band at the links provided.

chrisgreenejazz.com

Chris Greene on Instagram

Chris Greene on Facebook

Chris Greene on YouTube

Queen City Sounds Podcast S4E45: Death Doula

Kerry Jones of Death Doula, photo courtesy the artist

Death Doula is a band based on Portland, Oregon that released its debut Love Spells on October 11, 2024. Its music might be described as shoegaze but its tones are a little darker waxing into the territory of moodier post-punk and its textures more complex and prominent. The band’s guitar work is a little noisier and at times more angular than the typical shoegaze band and its lyrics more rooted in a kind of poetic lyricism rather than standard pop songcraft. Vocalist Kerry Jones’ vocals are versatile yet elemental in expression with words seemingly informed by a perspective that looks beyond the surface level of everyday experiences. Death Doula’s sound bridges the ethereal and the heavier end of atmospheric music and infuses it with an expansive emotional intensity that lends the music an unexpected power. The albums was recorded with Adam Lee at Jackpot Studios in Portland and its noisy and uplifting maelstrom of creative ideas and colorful soundscapes defies easy categorization but fans of brooding yet noisy post-punk, Helium and the more mystically-minded shoegaze and space rock bands like Space Team Electra and Sky Cries Mary will find great kinship across the record’s nine tracks.

Listen to our interview with Kerry Jones on Bandcamp and follow Death Doula at the links below.

deathdoulaband.com

Death Doula on Instagram