With the breakbeats and 8-bit style synth tones sprinkled in Reykjavik Kids’ “Sanctimony” has a massive sound like a fusion of 90s electro-Britpop and 2010s indie electronic pop circa Crystal Castles and M83. Except this band with this song has a triumphant spirit even with the even keeled and clear-eyed lead vocals and the call and response harmonies. The rich tonality in the production makes the song a standout even if its subject matter seems to be about anonymous and vicious judgment that can come at you out of nowhere in great numbers in the social media environment. The song feels like a shaking off of that mood. Listen to “Sanctimony” on Spotify and follow the UK band based in Newcastle upon Tyne at the links below.
The nearly abstract pulse of downtempo melody that courses throughout alterity’s “i don’t deserve this” is like a melancholic mood that can hang over you across an entire day or days at a time. But through this murky filter glimmers of clear tones shine through like the flickering of hope when life seems to be going through a period of sustained gloom and prolonged self-examination and processing why you’re tolerating the way things are rather than making an abrupt and immediate change. But trauma can have that impact on you and you can float through longer periods than would otherwise be normal and you cling to these seemingly emotionally tangible motes of hope and joy until the dark times have passed or you have managed to gather the will to push yourself through the things you need to do to get clear of the situations that have you feeling like you’re living in a muted version of a vibrant life. The song captures that feeling that is rarely articulated well in life and in art and fans of Tim Hecker’s most beautifully nightmarish moments will find some moments of solace here too. Listen to “i don’t deserve this” on Spotify.
“less today” by plaster 0f paris sounds like a noir version of a post-punk song. It has breathy vocals and granular guitar tones that together give the song the sound of weary resignation that bears out the title some. For mood think somewhere between True Widow and A Place to Bury Strangers and that starkly vivid intensity that allows for the atmospheric melodies to take center stage in how the song emerges from a more spacious opening into swimming in the sinuous swirl of melancholic yet commanding haze. The project is a new flavor for guitarist and vocalist Tony Bevilacqua who some may know for his time in The Distillers but one that showcases his interest in crafting vivid and evocative atmospheric compositions. Listen to “less today” on Spotify and follow plaster 0f paris at the links below. The 3-song less today EP dropped May 17, 2024.
“Constructing my new world” by Squarewav sounds like the music you’d want to hear if you had to witness a visual representation of the reconstruction of your life in chapters. The sequenced, textural beats and melodic paces are uplifting and bright, hopeful even. The saturated synth tones mid-song are reminiscent of the work of Norm Chambers and his Panabrite project. Later in the song the distorted sounds of a robot construction crew welding, landing rivets and screws and assembling the shiny and tidy final project end the song on a satisfying note like getting closure on an ambitious project that is your life or at least a chapter that began in raw disarray but now feels like a place where you can move forward with confidence and integrity. Listen to “Constructing my new world” on Spotify where the rest of the Beautiful digital, construct my world EP dropped on May 3, 2024 and follow Squarewav at the links provided.
The Milk Blossoms will release its third album Open Portal on October 4, 2024 on vinyl, streaming and digital download. Open Portal is the first album to feature the band’s new lineup including Harmony Rose (vocals, ukulele, lyrics), William Overton (keys, synth), David Samuelson (electric bass) and Tyler Lindgren (drums). For the recording Zac Greenberg plays upright bass with Lindgren producing, recording, mixing and mastering the songs. Ahead of the record drop the group just released its second single “Teenager.”
The Milk Blossoms, photo courtesy the artists
“Teenager” begins with delicate textures and rhythms with ukulele and minimal percussion while Rose doesn’t reminisce so much as offers observations and thought provoking confessions with her words. The song accelerates in pace and ukulele seems to distort apace with the increasing urgency of the vocals toward the end of the song. All without losing what might be described as a vital vulnerability. Rose’s paces aren’t the standard meter of lyrics in a pop song. They seem more free verse and more intuitive in expressing the feeling and mood of the song even as she repeats the line “living like a teenager in the summer” at the end of the song after uttering the line once in the beginning. It hits like a mantra of intent, a reminder to oneself that just because you’ve gotten used to living on someone else’s schedule and according to the demands of living in the “adult” world doesn’t mean you can’t tap into what it felt like, even if naively and with the ignorance of a lack of life experience, to see the future as a place to make your fun and to dream of what to do and then do it and not be burdened by supposed practical considerations. Further if you could act without thinking overmuch about making a minor mistake or anchored by arbitrary social rules. Living like a teenager in the summer often meant for many people an open invitation to adventures and making your own fun without it having take a certain shape or be a certain way or ritualized. The lines “Glamor chandelier I’ve got a mind to escape to/what do you know about an open portal?” suggest that imagination and creativity is free to everyone who wants to escape mundane existence if they’re willing to act on it.
Growing into adulthood seems to be largely about increasing limitations that are largely arbitrary. This song appears to be an invitation, a challenge, to living outside those bounds at least once in awhile to feel alive and vital. It’s a rebel song without being try hard and thus more effective for it. Listen to “Teenager” on YouTube and follow The Milk Blossoms at the links below. Catch the band live at MCA Denver on July 19, 2024 with Dogtags, at The Skylark Lounge on August 22 with Car Microwave and mlady and at the album release show for Open Portal at the Hi-Dive on October 5 with George Cessna and Wheelchair Sports Camp.
Nihiloceros sounds like an amalgam of sounds and ideas across decades on “Penguin Wings.” The vocal melodies are in moments reminiscent of Lincoln-period They Might Be Giants but the angular, aggressive yet upliftingly melodic guitar riffs with a touch of jangle are like the a fusion of Bob Mould’s post-Hüsker musical projects and the more imaginative end of 2010s emo. The lyrics seem to juxtapose the surreal with the poignant like the band used a cut-up technique to assemble the words to give it a blend of the personal and the fantastical. The song mentions “dark ice balloons” which is also the name of the group’s latest full length that dropped on May 3, 2024 and available on vinyl, digital download and streaming. Listen to “Penguin Wings” on Spotify and follow Nihiloceros at the links provided.
Eudscher’s enigmatically titled “RFU318” sounds like traveling down a long corridor accompanied by pulsing low end sounds and echoing voices and rattles draw out into fading infinity. The music video presents a series of triangles in black coming at you against a hazy off-white background like markers on that corridor to who knows where. In moments it brings to mind the vibe of those “The Backrooms” videos of liminal spaces parallel to our own regular dimensional space or the mood of the chapters of House of Leaves by Mark Z. Danielewski where the characters find the hidden stairways that go on forever lit by a luminous gray light. It is a sustained drone, only small details change yet it is a little hypnotic ever evolving and holds your attention until the end. Watch the video for “RFU318” on YouTube and follow Eudscher at the links below. The album SN24002 released on April 5, 2024 and includes “RFU318.”
Steven Lee Lawson is a singer-songwriter from Denver whose musical exploits date back to the late 90s and early 2000s when as a fledgling musician he was involved in a variety of styles of music including the experimental/krautrock of Zubabi before finding his lane at the edges of Denver’s indie rock scene in the mid-2000s with the more classic pop and Americana-inflected projects like Oblio Duo and its multiple incarnations with then songwriting partner Will Duncan (now of Pleasure Prince). Lawson’s poetic lyrics shed a light on his attempts to come to terms with life challenges and struggles with a society and culture seemingly stuck on boosting dull and crass commercialism and anti-human systems of politics and economy. Lawson also spent some time as a sideman in bands like Ross Etherton and the Chariots of Judah before dropping out of actively being involved in music for a handful of years and then getting back into the joy of creating music again in recent years. Obvious touchstones like Harry Nilsson, Townes Van Zandt, Sparklehorse and Neil Young can be heard in Lawson’s musical DNA but his songs have always seemed deeply personal and idiosyncratic including his new EP Help Is On the Way due out June 27, 2024 and available as a limited edition 7″ through Snappy Little Numbers.
Listen to our interview with Steven Lee Lawson on Bandcamp and follow the songwriter at the links below. There will also be an EP release show with Blacktop Musical at The Broadway Roxy in the downstairs speakeasy on June 27, 2024 at 7pm.
Danielle Whalebone’s “Ordinary Things” begins by providing texture and tactile sounds with what sounds like a metallic object being crafted and formed with the repeated sound of metal on metal and resonating drones. There is a chain-like rattle that sounds throughout like a mechanical mantra. Whalebone’s vocals, when they enter the song provides a human touch to what feel like inorganic objects interacting. She sings of being aware of an immense aspect of existence but now she seeks “peace in ordinary things.” The industrial sounds of the song have a post-apocalyptic menace that contrast with that message which is the point. In extraordinary times in the way they are now in all the ways they have been there is a solace to be found in ordinary things and situations. When one has spent much of one’s life in pursuit of the un-ordinary and the remarkable because of how mundane and uninspiring everyday life can be and making art to take one out of those circumstances only to find oneself in situations that set a different standard for what is the usual one can yearn for perceived comfort and stability of ordinary things. Whalebone’s discordant and gloriously noisy song expresses well that contrast and reconciliation of former conflict with instincts and impulses. Listen to “Ordinary Things” on Spotify and follow Whalebone at the links below. Her new album Whispers of Shadows released on May 17, 2024 on streaming, for digital download and as a limited edition vinyl LP.
Stephen Bluhm is a songwriter based out of Hudson, New York who released his latest album Out of the Nowhere. Into the Here on April 19, 2024. It is the second full-length from Bluhm and one whose sophisticated, orchestral arrangements lend the songs a cinematic and storybook quality with exquisite details and attentiveness to aspects of production and composition that reminiscent of a The Magnetic Fields or Belle & Sebastian record or the level of richness of aesthetics one associates with a Wes Anderson film. It sounds like something from another era with deeply personal and idiosyncratic yet instantly relatable lyrics. The songs are literate art pop gems with an autumnal flavor that hits as old timey in its sensibilities but not in the folk Americana tradition so much as more in the vein of Rodgers & Hammerstein on the chamber pop and indie folk scale.
Listen to our interview with Stephen Bluhm on Bandcamp and follow the songwriter at the links below. Out of the Nowhere. Into the Here is now available for streaming, digital download and on vinyl.
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