Korean Boyfriend’s Noisy New Wave Post-Punk Single “Middle Management” Perfectly Captures the Existential Dread and Melancholic Exhilaration of Occupying the Liminal Role on the Corporate Ladder

Korean Boyfriend, photo by Ai Oe

Korean Boyfriend’s “Middle Management” pulses and seethes with a low key desperate energy. With a driving, melodic bass line anchoring the song the layered synths are at once noisy and sounding like a lo-fi recording of melancholic yet upbeat synthpop from another era. The vocals aren’t buried in the mix so much as engulfed by the flow of noises including the minimalist, accented percussion. As the title of the song suggests the song seems to comment on that phenomenon of corporate work life of the figures who are simultaneously expected to enforce company policy and take ownership of dealing with situations that are above the pay grade of lower tier workers while not always empowered to actually enact a solution to challenges presented. Essentially they are the second layer of protection leadership enjoys from the consequences of a company’s mediocre product—whether physical or services. The song captures that feeling of constant tension and stress and existential dread of being in middle management and knowing what’s possible and what’s likely for customers and the people working under them and questioning the efficacy of having so much operational responsibility without adequate compensation. The spectral keyboard work in the background establishes a spirit of unease and faint hope and the tapestry of rhythms that interact throughout the song creates a feeling of having entered into an otherworldly zone outside of regular time and space yet the song never comes off bleak, but, instead, expressing compassion and solidarity toward an experience many of us have had or at least witnessed as we navigate the impersonal, late capitalist landscape of trying to survive. Listen to “Middle Management” on Spotify and follow Korean Boyfriend on Instagram. His new album Simple Face is out October 25, 2024.

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CR&M’s Ambient Downtempo “Coping strategies” is the Soundtrack to a Brisk Walk to Clear and Stimulate the Mind

The hovering, harmonic drone that begins CR&A’s “Coping strategies” is soon joined by what sounds like a swift wind and background melodic abstraction that is soon punctuated by percussion that is impressionistic in it’s deployment of hi-hat, bass drum and other percussive sounds. The cover art for the single is a view of someone looking up between tall buildings into a blue sky with white clouds coming into view. The song’s enigmatic mood reflects that halcyon view and it feels like a moment of contemplation followed by a brisk walk as you follow your strings of thought stimulated by the changing landscape. But the vibe isn’t Thoreau at Walden Pond but rather the existential resonance of an urban setting that can likewise spark ideas beyond your immediate concerns. Listen to “Coping strategies” on Spotify and follow CR&M on Instagram. The group released its album Stems on August 28, 2024.

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Close to Monday’s Techno Dream Pop Single “Different” Encourages Us to Embrace Our Analog Uniqueness

Close to Monday, photo courtesy the arists

The insistent rhythm of Close to Monday’s “Different” establishes a hypnotic pattern reinforced by the colorful visuals of the music video. Like something you’d expect to hear in a dance club that caters to electronic dance music. Except Close to Monday’s melodies and moods have as much in common with experimental synth pop and rock band Ladytron and the inspired moodiness of their music as they do with Underworld’s percussive tones. The song is an encouragement to embrace one’s uniqueness untainted by and separate from the inducement to conform to the limited modes and channels of expression and communication available through social media and its unspoken system of dubious psychological rewards that rope you into a feedback loop of fitting in to the boundaries of the product of a technology company. The song pulses with a bright energy and is imbued with a heady momentum that feels like the pace of an escape velocity from one’s cycle of participation in digital existence. Watch the video for “Different” on YouTube and follow Close to Monday at the links below.

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Nathan-Paul Cuts Loose With the Futuristic Free Jazz Hard Bop of “Outflow”

Nathan-Paul, photo courtesy the artist

“Outflow” sounds like an amalgam of free jazz and IDM with industrial beats. Nathan-Paul’s composition incorporates elements of that late era hard bop saxophone with arrangements that bring to mind an era of music when experimental musicians seemed to have in mind compound time and Middle Eastern tonal palettes. Bursts of raw skronk in futuristic modes and sax lines that both snake fluidly and then strike angular patterns before waxing into looping surges that give way to more wild dynamics. He song packs a lot of ideas into a little over three minutes and its various layers embody the title and it is stylistically diverse even with some nods to fusion and all imaginative and impressive in technique. The energy is strongly reminiscent of that scene in Lost Highway (1997) when Bill Pullman is going off on the sax in the night club—fiery and like something from a hyper real dream. Listen to “Outflow” on Spotify where you can listen to the rest of the Free Trap EP which released on August 23, 2024. Follow Nathan-Paul at the links provided.

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THEE SIMULATION Weaves an Air of Cosmic Dread and Rebirth on Industrial Neofolk Single “TRAIL OF DEAD KINGS”

THEE SIMULATION, photo courtesy the artist

“TRAIL OF DEAD KINGS” by THEE SIMULATION (a project of Colin Dawson’s of Haunted Horses and Stickers) begins with an industrial tribal beat before an urgent and slightly echoing piano line, harmonic synth drone and moodily abstract spectral keyboard emerges. Alongside this haunted vocals seem to tell a dark tale like something out of an Edgar Allan Poe story or a late 60s Hammer horror film. Images of labyrinthine passages and the sounds of rustling leaves stirred by a light breeze underfoot lend the song an air of the seasons trailing from summer deep into the fall. The chorus of “Take your name off me” suggests a spirit of a place beckoning to be free of the monikers of a conquering power and a return to its primal origins. Musically the dark atmospheres, tribal industrial beats and mystical moods are reminiscent Current 93 circa Dogs Blood Rising (1984) but in a production mode more in line with the modern era. And yet it shares that sense of the otherworldly that exists parallel to our everyday of which we can become aware if we’re open to tapping into those psychological spaces. Listen to “TRAIL OF DEAD KINGS” on Spotify. The new THEE SIMULATION album BLEAK LIVING released on August 17, 2024 and can be listened to in full on Spotify as well.

Chihei Hatekayama and Shun Ishikawa Unite Summery Tranquility With Wintry Introspection in the Ambient Soundscapes of “M6”

Chihei Hatekayama, photo by Makoto Ebi

Japanese ambient artist Chihei Hatekeyama and jazz drummer Shun Ishikawa released the album Magnificent Little Dudes Vol. 1 on May 24, 2024 via Gearbox Records to great acclaim. The second volume in the series is due out later in 2024 but for now you can hear the sprawling, meditative single “M6.” The impressionistic, drifting piano work against the backdrop of a harmonic tonal shimmer sounds simultaneously like an expression of droplets of sunlight on the ocean on a bright and calm summer day and of drifts of blowing snow catching the light of a full moon. That dual atmospheric resonance manifests as a sound both tranquil and tactile, soothing and enigmatic. It feels more iterative than simply repeating like a loop and that is what catches your attention without interrupting your thoughts. Listen to “M6” on Spotify.

Shun Ishikawa, photo by Makoto Ebi

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Desert Liminal Brings Into Focus the Limits of Nostalgic Whimsy on Gritty Dream Pop Single “Kid Detroit”

Desert Liminal, photo courtesy the artists

Desert Liminal’s melancholic and trailing tones on “Kid Detroit” convey a sense of an earlier period of one’s life that one looks back on with feelings of nostalgia but through the lens of one’scurrent perspective. It flows with the kind of romance of wish you could go back to that earlier period of your life and re-write parts of it like it was a movie and maybe that would put your later life in a better place. Yet one senses that in the song the knowledge that such playing with time and one’s own life’s narrative while attractive and something to occupy some idle time might take away the person you are today and the lessons and achievements however taken for granted that opened the window to even entertain improving your backstory. When the song waxes uplifting and hopeful it’s like an embrace of one’s whole self including the mistakes, flaws, wrong turns and misfortunes that didn’t sink you maybe, just maybe, improved your life in ways you don’t yet understand and in many that you do. And yet there’s no harm in thinking in ways that you can enact today with one’s current level of self-awareness if you choose to lean into it rather than run from it into fantasy. The dynamic piano work and overdriven guitar help to anchor the introspective vocals and to orchestrate an undeniable push and pull of mood that bring the song’s themes into focus in a way that lends this dream pop song some grit. Listen to “Kid Detroit” on Spotify and follow Desert Liminal at the links below. The band’s new album Black Ocean is out October 18, 2024 via Whited Sepulchre Records on streaming, digital download and limited edition vinyl.

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“Slow Drug” by Lord Buffalo is an Epic and Mysterious Voyage of Desert Kosmische

Lord Buffalo, photo by Alison Narro

Lord Buffalo seems to channel esoteric films of the 70s in the mood of “Slow Drug” right from the beginning. Think Jodorowsky, Herzog and Ken Russell. The pulsing of piano and stretched, processed presumably guitar sound like the sounds of an otherworldly creature speaking hit as more of a sound design choice than mere songwriting. But as the song progresses more recognizable musical elements leak into the soundscape with urgent guitar loops and tribal percussion before the song seems to completely unfold and unfurl mod song and that sound we might have been unsure of before reveals itself as a voice through a distorted filter so that it is more like an occult incantation. Once the song gets into full swing its rich details of sound and deserty-psychedelic vistas reminiscent of the hypnotic and mystical music Boris included on the soundtrack to Jim Jarmusch’s 2009 neglected classic The Limits of Control or the music of Bad Rabbit in the same film. There’s something epic and mysterious about it without the predictable trappings. Listen to “Slow Drug” on Spotify and follow Austin, Texas’ Lord Buffalo at the links below. The group’s new album Holus Bolus released July 12, 2024 on streaming, for digital download and physically on CD and vinyl via Blues Funeral Recordings.

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Mr. Gnome Poetically Evokes the Multiple Existential Crises With a Heartwarming Tenderness on Psychedelic Art Pop Single “Mind’s Gone”

Mr. Gnome, photo courtesy the artists

With its languid, shuffling pace, Mr. Gnome’s “Mind’s Gone” is a day dream-y meditation on existential crisis and a tentative acceptance of uncertainty. The chrous of “My mind’s gone, I don’t even know just where to find it, I don’t even know just where it’s hidin’” speaks to being in a place where you’re questioning everything at a time in your life when everything seems up in the air and you try to maintain but you’re not sure you can. The simple rhythm, the echoing piano chords and the slightly distorted vocals with the hint of background spectral drone create the impression of despite a soul-felt state of having felt like you were on the right path and doing the right things and realizing that the carpet has been yanked out from underneath you. Over the past several years many people especially in the creative space have felt this and the pandemic amplified the precarious ability to pursue one’s art with integrity and without heavy distraction. With the cost of living having boosted egregiously over the past 12 years or more you can feel like what do you have to do to survive because the foundations of life have been eroded so quickly and then the world seems to be falling apart so what do you do? You try to hang on and hold onto the things that give you life meaning and if you’re a songwriter you write about that situation with a poetic truth and make music that doesn’t feel like it’s trying to evade a clear and present reality and struggle which Mr. Gnome has done here and on the rest of it’s new record A Sliver of Space due out for streaming, digital download and on CD and vinyl on September 27, 2024. Listen to “Mind’s Gone” on YouTube and follow the Cleveland-based experimental rock band at the links below.

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ChooKi Expunges Toxic Influences on Hyperpop Darkwave Single “World Is Mine”

ChooKi, photo courtesy the artist

ChooKi’s mastery of creative production brings to “World Is Mine” a layered aesthetic that enhances her expression of themes of reclaiming her own power. The pitch bending is reminiscent of hyper pop but the beat is more measured and refreshingly not glitched out as it contrasts effectively with how the other sounds and experiments in unconventional melody structure seem to be able to wander and resolve where they will. The song and its lyrics seem to be a clear evocation of the concept of true self-cultivation and allowing oneself to grow and develop from an authentic place and perspective rather than be warped or diverted by bad faith actors in your life or simply those that for whatever reason of their own background can’t help but try to diminish those with whom they come into contact in small yet significant ways. In the song you can hear the songwriter’s efforts to strain the toxins of undue and non-beneficial influence out of her psyche, a process which takes time and thus the song’s pace is one informed by patience with self but with the real effort put into the free flowing expressions as the practice of fortifying a genuine sense of self built on a healthy and compassionate foundation. Fans of Björk and Yeule will get a lot out of the song. Listen to “World Is Mine” on Spotify and follow ChooKi on Instagram.