New Music – Page 179 – Queen City Sounds and Art

“The Grave” is Kate Vogel’s Attempt to Come to Terms With Her Own Human Limitations in Processing Grief

Kate Vogel has a gift for taking the most heavy experiences and personal darkness and turning them into meaningful songs that both honor the experience and cast insight into how one might process a bit of that grief. Her single “The Grave” is about the funeral of a friend who tragically died in a car crash and sketching the outlines of the story are minimal piano and guitar figures, a shimmering accent of percussion and a touch of pedal steel to augment a sense of loss. The lyrics sound as though Vogel and her significant other were devastated by the death of the friend but only one of them could be emotionally present at the funeral, or unable to show up at all, and the sense of guilt that lingers from that moment when common human frailty seems to crush you from within and amplify a sense of failure. Though Vogel doesn’t let herself off the hook in the song the act of writing it suggests the ability to feel acutely that loss and in articulating it with the delicacy of feeling displayed the hope of forgiveness of self even if you feel like you don’t deserve it. Listen to “The Grave” and other songs by Vogel on Spotify and connect with the songwriter at the links below.

View at Medium.com

https://soundcloud.com/katevog/sets/public
https://twitter.com/chips_n_kateso
https://www.instagram.com/katevogel

Deleteeglitch’s A Far Too Effective Ultimatum Asks Heavy Questions Without Burdening You With Stock Answers

Deleteeglitch and 98Tiki, photo courtesy the artists

Deleteeglitch and 98Tiki sound like they tapped into a lot of the spirit of the jaded and defeated vibe of Sly & The Family Stone’s There’s A Riot Goin’ On and channeled it into the single “A Most Troubling Roll Call.” But the musical language is a modern free association of sampled, warped jazz vibe and a lingering bass line that accents a keyboard arpeggio as Deleteeglitch raps with ironic, self-deprecating swagger that dissolves in echoes that distorted back like all the bad voices in your head that haunt you when you feel stuck in your darkest place not knowing what to do and in the end surrendering to sleep hoping that will provide the clarity that thinking things through and talking yourself down or talking yourself up won’t, what the chemicals and other distractions can’t make happen either. It’s this lens of autobiography that informs not just the song but the project’s excellent album A Far Too Effective Ultimatum (which came out on May 22). It’s an starkly honest portrait of trying to find yourself in an overstimulated and confused time in our culture. No answers offered but some open ended questions explored making it a more real approach to society’s current existential crisis beyond the pandemic by asking in a creative and unique way what do we want and why and is what we want good for us and what constitutes that anyway? Fans of early 2000s alternative hip-hop or artists in and around the Odd Future collective will find a lot to like here. Listen to “A Most Troubling Roll Call” on Spotify where you can also listen to the rest of A Far Too Effective Ultimatum and connect with Deleteeglitch at the links below.

https://soundcloud.com/glitchglitchglitch
https://www.youtube.com/channel/UC1eoviQBpCrVlavE78Y4l3g
https://twitter.com/turboweedinject
https://www.instagram.com/deleteeglitch

The Sense of Hope Against Unlikely Odds is Palpable in Thomas Azier’s Orchestral Pop Song “Hold On Tight”

Dutch songwriter Thomas Azier teamed up with filmmaker Ayoto Ataraxia for a breathtaking video treatment of his song “Hold On Tight.” Filmed in Myanmar and shot on 16 millimeter, the short film takes slices out of the day of people riding a motorbike and public transport in the early hours. The doleful horn and urgent string arrangement carry us forward into the song with Azier’s resonant tenor joining in about halfway through to offer a dramatic narrative about how we often need to accept the uncertainty and potential perils around us to move forward to where we need to be or to at least experience a sense of liberation from what weighs us down, to maybe experience an internal feeling of freedom from a situation or context that can be oppressive or hold us back for now from fulfilling what might be our potential or happiness. The sense of hope against what seems like unlikely odds is palpable in the song. Watch the video for “Hold On Tight” on YouTube, connect with Azier at the links below and look out for the songwriter’s new album Love, Disorderly which was released on June 12, 2020.

https://soundcloud.com/thomasazier
https://twitter.com/thomasazier
https://www.facebook.com /thomasazier
https://www.youtube.com /user/ThomasAzierVEVO
https://www.instagram.com/thomasazier

Wild Manes Evoke the Melancholy Born of Emotionally Complexity of an Unspoken Pain on “Northern Wind”

The layered dynamics of Wild Manes’ single “Northern Wind” lend its spare but exquisite melody a musical depth and impact that isn’t immediately obvious until you’re listening through again. The three part harmonies, the guitar parts that work more like accents on the rhythm, the solid and fluid bass line that seems to anchor the song all work perfectly together to make the subject of the song seem not as heavy and not as potentially dark as it seems to be. A reference to a “King of birds” and feeling left hanging but dependent, the only reliable thing being that uncertainty and maybe a little bit of pain. It is fairly enigmatic in its meaning but suggests the kinds of emotional abuse people live with unspoken for years until they figure out a way to get free of that association. The music is upbeat if melancholy like putting on your best face even as you’re hurting and casts a fascinating thematic contrast not common enough in modern indie pop. Listen to “Northern Wind” on Spotify, connect with Wild Manes at the links below and look for the NYC-based sextet’s new EP due out later in 2020.

https://soundcloud.com/wildmanes
https://www.youtube.com /channel/UC3jcJoOdCg7DkXPCqsgh9EQ
https://wildmanes.bandcamp.com
https://www.facebook.com /WildManesmusic
https://www.instagram.com/wildmanesmusic

“The Art of Losing” by Summer With Monica is a Wistful Pop Song About Learning to Stop Struggling Against Yourself

Summer With Monica, photo courtesy the artist

Summer With Monica is the solo project of Julien Staartjes, guitarist for the Amsterdam-based band The Vagary. For his song “The Art of Losing” Staartjes was inspired by Elizabeth Bishop’s 1976 poem “One Art.” The jangle-y pop song is reminiscent of a more folk The Soft Boys or Robyn Hitchcock’s solo with its easy pace and poetic phrasing. Maybe a bit of the early music of The Church can be heard echoing there too. Though melancholic in tone at times the sense of the song is one of a kind of hope born of learning to overcome the habits of ego that end up causing us misery even as we think we’re pursuing what’s best for us when at times we should not cling so tightly to notions, dreams and desires that no longer suit us. The chorus of “It’s not so hard, it’s not so hard to let go, to let go” is like a mantra and the closing passage of the song in which Staatjes describes someone who has seemingly hit bottom but who is finally at a place where the ego bound mandates held back his real potential have been washed away in the rain is the fulfillment of an evolving realization that sometimes when you’re struggling the hardest you’re actually fighting your own forward progress. Listen to “The Art of Losing” on Soundcloud and follow Summer With Monica at the links below.

https://www.youtube.com/channel/UCbXK43yzpziI6fwja53-ZsQ
https://www.instagram.com/summerwmonica

Rachel Kerry’s Nuanced Evocation of Complicated Feelings on “High” Help Us All to Better Process the Low Points In Our Love Lives

“High,” the lead single from Rachel Kerry’s new EP Obsessions, is a different kind of song about infatuation. Yes, it describes what seems like the best part of a relationship that is destined for failure with a vibrant melody and gorgeously distorted synths, like the effervescent energy that seems to brim over from you when you’re in that moment. But it also layers that with the reality of knowing something isn’t right but not wanting to believe it only to have to live with that denial later when you’re feeling melancholic and maybe a little foolish for even wanting to believe something real was there. Yet Kerry’s approach to songwriting, able to express this complexity of emotional nuance, is sort of a celebration of being able to feel these things and to be able to get through the low points in your life without a need for indulging in the kind of bitter recriminations that many of us seem to feel the need to serve as a focal point to pull us out of the dark, melodramatic places of the heart. Kerry shows us how we can feel multiple things at once and not have to get stuck in any of it if we’re willing to feel it and maybe even let it go. Listen to “High” on Soundcloud and connect with Rachel Kerry at the links below.

https://www.rachelkerrymusic.com
https://www.facebook.com /rachelkerrymusic
https://www.instagram.com/rachelkerrymusic

GIUDI Exposes Her Own So-Called Imperfections to Help Us All Dispel Judgments Over Physical Appearance in the Video for “NoBody”

Czech pop artist GIUDI collaborated with art director and filmmaker Jakub Ra of New Aliens Agency to realize a vision for her lush and introspective downtempo single “NoBody.” The singer says the song is about how the essence of who we are is not our physical bodies and the chorus of “NoBody is home” points to her concept of how the immortal self transcends the transitory existence we experience in a specific body in a specific time in a specific world. That because of this we shouldn’t get hung up on so-called imperfections, especially when they are fairly minor and, with any luck, a product of age and the way our bodies change over time regardless of age, but rather accept and even embrace them. The song has an entrancingly luminous quality that envelops and soothes the mind and the video though dark yet colorful shows GIUDI being open and vulnerable about what some might see as her own physical imperfections. It’s a move that is not just talk, not just theory, a concrete example and not abstraction. Her hair isn’t made up, she reveals areas of cellulite, patches of dry skin, wrinkles, variations in complexion and other features that in the grand scheme of things don’t matter compared to who we are and how we are. Watch the video for “NoBody” on YouTube and follow GIUDI at the links below.

Gotopo’s Video for “Malembe” is a Glimpse Into the Syncretic Sacred Dance Music of the Future

In the video for her new single “Malembe,” Colombian artist Gotopo invites us to imagine a future in which pre-European contact religions and cultures of the Americas and ancient African cultures have produced a syncretic culture. The song’s polyrhythms and the production that expertly blends organic sounds with processed sounds and effected vocals take you out of your usual cultural context for a few minutes and brings you into a world you’d actually want to visit where the dance music is more adventurous in its palette of sounds and emotional colorings. The video shows what looks like a series of scenes that blur the line between a mystic ritual and an intimate dance club. By offering this complete vision of an alternative future, Gotopo has given us a science fiction story not unlike those of N. K. Jemisin that dare to suggest something far different and in many ways more believable than most of what we’ve come to expect from the art form. Watch the video for “Malembe” on YouTube and connect with Gotopo at the links below.

https://www.facebook.com/GotopoOfficial
https://www.instagram.com /gotopo_official
https://www.youtube.com/channel/UCl75a6a5IBdVIs5gMJnKWew

Johnny Labelle Dreams of Looking Back on the Current Crisis From 20,000 Years In the Future on “Beginning of the End”

Johnny Labelle, Virus Positions compilation cover

An air of yesteryear floats through Johnny Labelle’s song “Beginning of the End.” Labelle’s croon is reminiscent of Scott Walker with the song’s vibe recalling that of some old Lee Hazlewood songs. The way both of those artists seem to come to us from a long time ago and probably seemed so then. A certain timelessness and the channeling of the hyper reality of a lucid dream. But the seemingly programmed drums place the song in the present even as the string synths and distorted melody cast your mind into a nostalgic and even romantic frame of mind for a world that may never come back and was it so great to begin with? Glittering chimes, Mellotron-esque tones and ethereal drones serve as the backdrop of Labelle talking about having a dream in which he wakes up in 20,000 years and in that framing Labelle explores that head space with a contemplative grandeur. Listen to “Beginning of the End” on Spotify and connect with the Greek songwriter at the links provided.

https://www.facebook.com/johnnylabellemusic
https://www.youtube.com/channel/UCnWVSu0iGkVPCxhZLjk0pQA
https://johnnylabelle.bandcamp.com
https://www.instagram.com/johnnylabl

Junodream Takes Us on a Trip “To The Moon” in the Song’s New Music Video

Junodream originally released the song “To The Moon” in 2018 and it found some measure of popularity at the time. But recently the group released an animated video that seems perfectly suited to its introspective yet expansive quality. It depicts a person contemplating their role and place in a large universe and floating from their planet of origin into deep space, touching a moon or a star and being transformed into component energies that are free to roam the universe unfettered by the limitations of their birth body yet able to re-constitute that body when the situation fits. The same figure is also shown to be able to hold the universe in their hand. Very zen, very meta but perfect for a song with beautifully ethereal vocals, gentle, flowing textural percussion and an impressionistic melody that suggests a rooting in psychedelic rock and 90s indie pop. Its use of lo-fi sounds with modern production methods gives it the kind of organic and intimate quality that enhances its ability to transport your mind beyond the mundane present tense. Watch the video for “To The Moon” on YouTube and connect with Junodream at the links below.

https://www.junodreamband.com
https://soundcloud.com/junodream
https://www.youtube.com/channel/UC_FO8kVGfdbShn9QOPo3P7w
https://www.facebook.com /Junodreamband
https://www.instagram.com/junodreamband