Reptaliens Releases the Video for “Like A Dog” From Forthcoming Album Multiverse

Reptaliens, photo by Dan Crayonton

Reptaliens from Portland, Oregon return with the video for “Like a Dog” (made with Tristan Scott-Behrends) from the group’s forthcoming album Multiverse. Though returning to using guitar and drums following the duo’s excellent 2020 minimal synth/post-punk EP Wrestling, Reptaliens haven’t lost their knack for solid, extended melodies and culture jamming with left field ideas about the nature of society, the universe and our place in it freely referencing Philip K. Dick novels and the work of transhumanist philosopher FM-2030 after whom the band named its 2017 album. With “Like A Dog” Reptaliens use popular culture as a vehicle for time travel and create an a kind of alternative history of the 1990s from the over hyped and bizarre late night/overly sexualized daytime commercials, Chris Cunningham’s phantasmagoric music videos for Aphex Twin, the manufactured grit and grime of many alternative rock videos and perhaps the truly eccentric music video programs as seen on the Canada’s version of MTV with Much Music. The nods to Nirvana’s Unplugged performance on the aforementioned MTV, the dramatic daytime talk show parody and air of general boredom with fake excitement that was often in the air once the then most recent wave of youth culture had crested by mid-decade all point to what seems like the absurdity of nostalgia for a time that was too often characterized by glossing over mediocrity with the patina of significance through surreal marketing and performative enthusiasm. The almost hypnotic melody maintained by Reptaliens in the tuneful psychedelic pop song is almost a parallel to the air of the time depicted in the video and yet it also strangely draws you in like some of the recreations of 90s media tropes that accompany the music. Watch the video below when it premiers on November 15.

Multiverse is out on Captured Tracks on January 21 and the first pressing comes with rolling papers since the band works on a weed farm in Oregon when not engaged in musicianly endeavors. The tour in support of the record launches in SLC on 1/24 (other dates listed below including the show in Denver on Tuesday, January 25, 2022).

Thurs. Dec 9, 2021 – Eugene, OR – Sessions Music Hall
Mon. Jan 24, 2022 – Salt Lake City, UT – Kilby Court
Tues. Jan 25, 2022 – Denver, CO – Larimer Lounge
Thurs. Jan 27, 2022 – Minneapolis, MN – 7th Street Entry
Fri. Jan 28, 2022 – Chicago, IL – Beat Kitchen
Sat. Jan 29, 2022 – Pontiac, MI – Pike Room
Sun. Jan 30, 2022 – Cleveland, OH – Mahall’s
Tues. Feb 1, 2022 – Pittsburgh, PA – Thunderbird
Thurs. Feb 3, 2022 – Boston, MA – Brighton Music Hall
Fri. Feb 4, 2022 – New York, NY – Baby’s All Right
Sat. Feb 5, 2022 – Philadelphia, PA – The Foundry
Sun. Feb 6, 2022 – Washington DC – Songbyrd
Tues. Feb 8, 2022 – Asheville, NC – Grey Eagle
Wed. Feb 9, 2022 – Carrboro, NC – Cat’s Cradle
Thurs. Feb 10, 2022 – Atlanta, GA – Aisle 5
Fri. Feb 11, 2022 – Nashville, TN – TBD
Sun. Feb 13, 2022 – Dallas, TX – DaDa
Mon. Feb 14, 2022 – Austin, TX – Empire
Tues. Feb 16, 2022 – Phoenix, AZ – Rebel Lounge

Reptaliens Multiverse cover

FEAR to Headline Gothic Theatre NYE 2021

Fear at Marquis Theatre 2013, photo by Tom Murphy

Though officially announced on Monday, November 11, we found out that notorious L.A. punk legends FEAR will perform at The Gothic Theatre on New Year’s Eve with Potato Pirates and Cease Fire. The group took great pleasure in taunting self-righteous punks and conservative American culture equally with its irreverently humorous, sometimes nihilistic, lyrics and outrageous performances with lead singer Lee Ving commanding the stage like an insult comedian. The band was featured in Penelope Spheeris’ classic 1981 punk documentary The Decline of Western Civilization as well as the infamous 1981 Halloween episode of Saturday Night Live arranged by show writer Michael O’Donoghue and former SNL star and then cinema luminary John Belushi. On the show the band performed and the audience included members of Minor Threat, Cro-mags, The Meatmen and Negative Approach and mayhem ensued including profanity broadcast before the live feed was cut. So plenty of anticipation was in place when The Record came out on Slash in 1982 and it delivered some of the most caustic and boisterous punk in an era not short on such offerings. Since that time FEAR has released a handful of records, the final being 2000’s American Beer, and occasionally toured and still worth showing up to see. But with Ving turning 72 next year this may be one of your last chances, if not your last chance, to catch these heroes of punk before Ving calls it a day. Please visit gothictheatre.com to buy tickets once they’re on sale November 12.

FEAR NYE at the Gothic Theatre poster by Lindsey Kuhn