Zeki Releases the Anxieties of the Waking Hours Into the Cosmos in the Video for “Astroplaning”

Zeki, photo courtesy the artist

Zeki’s visualizer for “Astroplaning” delivers more than a little on the title. A blue figure representing the astral body of a sleeping figure astral projects around the world to the Sphinx and to outer space. And dense synth pulses like a day glow bass line marks time with the percussion as the strained vocals outline the ways in which we often feel isolated and in the case of our narrator the manner in which he tries to get the attention he craves by becoming an entertainer. Musically it’s a little like a synthwave Dose One track with a bit more angst and desperation in the vocals fitting regarding a song that seems to be a litany of anxiety that in the end relents just a little as the astral body in the video settles back into the physical body which wakes to the face the morning sun. Its a song that leaves you feeling like something happened to ease out the nerve wracking clutter of the mind through the sheer freedom of being able to use the imagination to undertake a mysterious journey into the cosmos and back. Watch the video for “Astroplaning” on YouTube and follow Zeki at the links below.

Zeki on Instagram

Zeki on Apple Music

Best Shows in Denver and Beyond January 2023

SUNN O))) Shoshin Duo performs at The Gothic Theatre on January 31, 2023
Shadows Tranquil in 2022, photo by Tom Murphy

Saturday | 01.07
What: Autumn Creatures w/Cherished, Bloodsports and Shadows Tranquil
When: 8
Where: Hi-Dive
Why: Autumn Creatures is a band from Colorado Springs whose music bridges the worlds of ambient, post-rock, orchestral post-metal, dream pop and outright shoegaze. So on a solid bill with Denver’s Cherished which has emerged from its early incarnation as more a post-punk and death rock band into the realm of shoegaze but with tweaking the edges of the aesthetic with unconventional vocal tones and rhythms that shift easily from drifty to direct. Bloodsports also from Denver is hitting the sweet spot of slowcore and shoegaze with introspective vocals and flares of noise to give what might be a more amorphous aesthetic some dramatic definition. Shadows Tranquil also doesn’t trade in subgenre adherence by thoroughly fusing chilly shoegaze with a touch of emocore and mathrock but all aimed at expressing direct emotional resonances with a maximalist sonic approach with an impressive level of musical detail and dynamic nuance.

Verhoffst in 2022, photo by Tom Murphy

Saturday | 01.07
What: Noise Brap: Barbie Bloodbath, Muttering, Verhoffst, Kneiffii, Sheet Metal Skingraft, Wontanii, Ghost Thief, Wolf Larva, Avarice and Mumble w/DJs Ursa, B2B and Combat Sport
When: 8
Where: Glob
Why: The concept of the brap was coined by Skinny Puppy and was even the title of the 1996 edition of its Back and Forth Series (3 & 4 for that iteration) which collected early instrumental demos and live recordings from earlier in the decade of collaborative electronic improvisations. And for this show the various artists in the local noise/electronic industrial/glitch scene will be teamed up with another for sessions throughout the evening and into the night.

Bret Sexton and Farrell Lowe in 2022, photo by Tom Murphy

Saturday | 01.07
What: Summit Quartet & SeFa LoCo
When: 7-9
Where: Mercury Café (Jungle Room)
Why: This is an evening of live improvised music featuring Right Brains Records artists Summit Quartet which includes Swedish pianist Walter Thompson and long time Denver-based avant-garde saxophonist and educator Mark Harris who has performed with the likes of Bob Hope, Roger Waters and Cab Calloway and locally known for his time in art rock projects Thinking Plague and Hamster Theater. Also on the bill is SeFaLoCo which includes not only Matt Smiley and Ron Coulter from Summit Quartet but long time local masters of improvised music Farrell Lowe and Bret Sexton.

Open Mike Eagle, photo from Bandcamp

Sunday and Monday| 01.08 and 01.09
What: Open Mike Eagle w/Video Dave and DVNEHPPY (w/Azon Classic) (on 01.08) and w/S.iah (on 01.09)
When: 7
Where: Larimer Lounge (01.08) and The Coast (01.09)
Why: Open Mike Eagle has been created “art rap” for more than two decades and has long been a star in the modern alternative rap world. His new album A Tape Called Component System with the Auto Reverse (2022) is a fine dose of his always creative and imaginative lyricism casting every day situations in surreal terms that reveal insights what might otherwise be mundane and everyday situations. The album includes contributions from Armand Hammer, Aesop Rock and opening artist Video Dave. His beats go beyond mere choice sample processing and have a cinematic and literary quality in their own right creating a layered listening experience.

Skyfloor in 2021, photo by Tom Murphy

Thursday | 01.12
What: Alphabet Soup #56: Funk Hunk, Savage Bass Goat, Yung Lurch, Furbie Cakes, Skyfloor
When: 9
Where: The Black Box
Why: Alphabet Soup returned in 2022 for every second Thursday of the month at The Black Box to bring you a bevy of local, eclectic and forward thinking dance and techno not getting showcased much at any other event or venue plus there’s no cover.

R A R E B Y R D $ in 2019, photo by Tom Murphy

Friday | 01.13
What: R A R E B Y R D $
When: 6-10
Where: Rainbow Dome
Why: Rainbow Dome is a project rooted in visual art and community building and this Capricorn Season-themed event involves roller skating, a dance party and a performance from hip-hop trio R A R E B Y R D $ whose music is brash, tender, emotionally rich and deep and incorporates a diverse sound that is an amalgamation of electro soul, ambient, R&B, alternative hip-hop and techno. If one were to count the top live music acts in Denver at the moment these people would have to be included.

Friday | 01.13
What: Modular Synth Night: Enemy Sender, ALX-106, Love Cosmic Love, Sine Mountain and Kent_ucky
When: 8
Where: Hi-Dive
Why: As the name of the event suggests this is a showcase for some of the local modular synth artists. Normally a show like this happens at a place like Black Box or maybe Fort Greene or with the artists separately at other spaces open to pure electronic music and the more avant electronic dance and techno music but that it’s happening at a venue like Hi-Dive is a testament to what those in the know already knew and that’s that there has been an blossoming interest in synthesizer music beyond the confines of EDM and electronic dance music for many years and maybe a sign of more events like this to come outside the usual venues.

Church Fire in 2021, photo by Tom Murphy

Saturday | 01.14

What: Coastless Creatives Presents Void: Feat. Closegood, Cole3K, Church Fire and Polly Urethane
When: 7
Where: Lost Lake
Why: Closegood is an experimental R&B duo originally based out of Los Angeles and may still be. Its 2021 album THOTFORM was a colorful set of music that sounded like a bit like R&B, glitch, hyper pop and something that one might expect on the Orange Milk label. Cole3K is similarly-minded in sound with a more hip-hop infused cadence but with production that sounds like the rapid fire shifting pulse of modern life. Church Fire is a hyper political electronic dance industrial trio from Denver but lately it has been incorporating production ideas from the realms of glitch and hyperpop in finding ways to express the reconciliation of self with a fragmented and fragmenting world in a time of great change and crisis where world governments, especially great powers, focus on pointless conflict and a charade of identity politics while the world burns and no one holding the reigns of economic and political power is taking a leadership position to address our collective challenges with the environment, authoritarian politics, economic inequality connected by the domination of global oligarchy. Church Fire’s music is in opposition to that and creating an oasis of joy and solidarity while performing it. Polly Urethane is an evolving visionary artist who seems comfortably situated in creating works that cross the boundaries of classical music, opera, noise, industrial, performance art, dream pop and post-punk. Her shows are an exercise in fearless confrontational challenge of the artist and audience dynamic.

Polly Urethane in 2022, photo by Tom Murphy

Tuesday | 01.17
What: Alice Does Computer Music, Certain Lives, Polly Urethane and Lanx Borealis
When: 8
Where: Glob
Why: Alice Does Computer Music is a New York City-based synth pop/hyperpop artist who incorporates cello into her immersive and playful soundscapes. Fans of Mitski may appreciate this artist’s particular brand of pop composition. Lanx Borealis is a Denver-based, dark ambient electronic artist whose work is in the realm of the sort of thing you might expect to hear on the long running Hearts of Space program on public radio. You never really know what kind of set you’re going to get from Polly Urethane and this might be a repeat of her show the previous Saturday or something more improvised or something new but always imaginative and powerful.

Blondshell in 2022, photo by Tom Murphy

Wednesday | 01.18
What: Suki Waterhouse w/Blondshell
When: 7
Where: Bluebird Theater
Why: Blondshell is the stage name of Sabrina Teitelbaum, a songwriter based out of Los Angeles whose singles have been making the rounds since 2022 when she started touring a bit as well on a national level. Her surprisingly fiery rock songs with lush pop hooks and commanding vocals as heard most recently with the December release of her “Veronica Mars” single are appealing enough but live Teitelbaum is a bit of a mysterious creature whose nearly acrobatic stage poses executed with an unaffected calm adds another dimension of performance style one doesn’t often see at a show like she’s incorporating yoga practice into the performance while keeping it theatrical and emotive. Suki Waterhouse is perhaps best known for her acting and modeling career having appeared in the films The Divergent Series: Insurgent (2015) and Ana Lily Amirpour’s gritty horror thriller The Bad Batch (2016) to name but two. In 2022 Waterhouse released her debut album I Can’t Let Go through Sub Pop as well as an EP called Milk Teeth after periodically releasing a single starting with 2016’s “Brutally.” Waterhouse’s hushed vocals and introspective, spacious, cinematic songs offer some insightful and nuanced perspectives on modern relationships.

The Mañanas in 2022, photo by Tom Murphy

Friday | 01.20
What: The Velveteers w/The Mañanas and Pink Lady Monster
When: 7
Where: Bluebird Theater
Why: The Velveteers return from a year of playing big out of town shows with their scorching yet joyful brand of blues rock and psychedelia with two performances and this night the Denver show with two of Denver’s finest. The spirited garage rock/power pop group The Mañanas and their breezy rhythms and sound like something that might have happened had indiepop bands taken even more of a cue from tropicalía. Pink Lady Monster seemed to emerge onto the Denver scene fully formed with an aesthetic that perfectly amalgamates dream pop, psychedelic rock and downtempo in a way reminiscent of both Broadcast and Blonde Redhead.

Friday | 01.20
What: Kool Keith w/Stay Tuned and DJ boyhollow
When: 7
Where: Mercury Café
Why: Kool Keith is the eccentric and influential rapper whose music with Ultramagnetic MCs and Dr. Octagon alone earn him an important place in the history of hip-hop. His surreal wordplay, profane humor and chameleonic style coupled with numerous alter egos have exerted a clear influence on hip-hop since the 1980s as a creative figure with a singular and evolving vision. Opening is the great, Denver-based crew Stay Tuned whose own style of hip-hop with two MCs is not short on imaginative culture and media commentary set to supremely creative beats in the vein of the likes of Dilla and A Tribe Called Quest. DJ-ing the show is legendary track selector boyhollow whose long running alternative music dance night Lipgloss recently went from a weekly to a monthly event.

The Velveteers in 2021, photo by Tom Murphy

Saturday | 01.21
What: The Velveteers w/Shady Oaks and The Nova Kicks
When: 8
Where: Fox Theatre
Why: This night The Velveteers play a hometown show with Americana inflected blues and garage rock band Shady Oaks and Denver indie rock band The Nova Kicks.

Instant Empire in 2015, photo by Tom Murphy

Saturday | 01.21
What: Instant Empire w/A Mouthful of Thunder and A Place for Owls
When: 8
Where: Globe Hall
Why: Since 2011 Instant Empire has been threading together classic New Wave sensibilities with introspective and hazy melodies. A Mouthful of Thunder is the latest band from Stephen Till formerly of Hearts of Palm and Black Black Ocean. Who? At any rate, Till’s sensitive lyrics and knack for dynamic melodies and inventive hooks are present here too as evidenced by its 2020 album Careful Now. A Place For Owls released its excellent self-titled debut full length in 2022 and sure it can be lumped under the clumsy umbrella genre designation of indie rock. But there is a level of orchestral composition that brings to the music a full and rich sound that complements well its yearning and existentially explorational lyrics.

Saturday | 01.21
What: Lykotonon w/Ritual Aesthetic, Noctambulist, Morningstar Delirium and DJ Swarth
When: 7
Where: Hi-Dive
Why: Lykotonon includes members of Wayfarer, Stormkeep and Blood Incantation and its music might be described loosely as experimental black metal in that it’s more in the realm of Wolves in the Throne Room than Darkthrone and underpinned with spooky electronics that give the music an otherworldly feel. The group recently released its new album Promethean Pathology (2022) and this might be seen as something like an album release show since the record dropped on November 25. Also on the bill are like-minded denizens of the more interesting end of local extreme metal.

Grief Ritual in 2021, photo by Tom Murphy

Sunday | 01.22
What: Velnias w/Ghosts of Glaciers and Grief Ritual
When: 8
Where: Hi-Dive
Why: Velnias is tricky to pin down in clear terms because its music isn’t just doom or progressive psychedelic black metal. But its appealingly forbidding yet melodic and epic songs have found an audience well beyond its unlikely hometown of Nederland, Colorado where it’s not just banjos and jam bands. Ghosts of Glaciers will be a good complement to the bill with its own progressive, doomy post-metal and Grief Ritual’s cutting, hardcore-influenced is a relentless assault on authoritarian nihilism.

Nightshark in 2006, photo by Tom Murphy

Thursday | 01.26
What: Nightshark w/Quits, Tripp Nasty, Sense From Nonsense
When: 8
Where: Hi-Dive
Why: Free jazz/noise rock avant-garde legends Nightshark is playing its first show in over a decade and its first with saxophonist Becca Mhalek in more than fifteen years. The trio of Mhalek, Mike Buckley and Andrew Lindstrom were staples of the Denver underground scene in the 2000s playing small clubs, drive bars and DIY spaces regularly with its mind-altering musicianship and wild energy. Later incarnations of the group included the likes of Neil Keener of Wovenhand fame and Brittany Gould who some may know for her transcendent ambient folk project Married in Berdichev. But the classic trio was the longest lasting and the lineup for this reunion. Sharing the stage will be some other luminaries of the 2000s and 2010s Denver DIY world with composer and modular synth artist Tripp Nasty who has recently launched a new lathe cut label called From the Desk of the Sick Librarian which released the new Sense From Nonsense record. The latter is the solo micro soundtrack and synth and film project of Tom Nelsen who many may know from his tenure in both mutant garage rock band Vicious Women and industrial post-punk phenoms Echo Beds. Quits will also bring its noise rock madness and eruptive energy to the show with former members of White Dynamite, Sparkles, Hot White and Felt Pilotes. All killer.

Pink Lady Monster in 2022, photo by Tom Murphy

Friday | 01.27
What: Church Fire, Velvet Horns and Pink Lady Monster
When: 7
Where: Enigma Bazaar
Why: Church Fire will grace the west side with its politically charged industrial dance party and raw emotional power. Velvet Horns is supposedly a pop punk band in the queercore vein and that’s true enough in essence but there’s nothing corny about its intensity and storytelling, like they aimed right for the vulnerable emotions that is part of the best of pop punk. Pink Lady Monster’s art pop psychedelia always seems to have a paradoxical mysterious immediacy with songs that defy easy genre tagging as its songs aren’t readily comparable to any obvious influences.

Circuit des Yeux in 2014, photo by Tom Murphy

Friday | 01.27
What: Circuit des Yeux and Bleak Mystique
When: 7
Where: The Coast
Why: Experimental indie folk artist Haley Fohr has been releasing fascinating records as Circuit des Yeux since at least 2010. Her spectral, almost classical compositions and otherworldly and dramatic vocals seem like something that one might expect from another era or parallel universe in which Alice Coltrane is a figure in her more New Age period was cited as an influence alongside Magma as much as any classic rock or folk artist. Her 2021 album -io is like a long lost Nico record with shades of Julia Holter and Laurel Halo but of course Fohr’s unique and always boundary pushing style.

Haunt Me in 2022, photo by Tom Murphy

Friday | 01.27
What: Haunt Me w/Hex Cassette and Julian St. Nightmare
When: 9
Where: The Crypt
Why: Haunt Me is a darkwave post-punk band from Austin, Texas that often performs in a nearly choking cloak of fog so that its echoing melodies seem to indeed come through to you in a disembodied manner grounded by hypnotic beats. This swing through Colorado includes two dates, this one at The Crypt with the confrontational and fun occult darkwave dance style of the inimitable Hex Cassette who always breaks the barrier between audience cajoling performer and manic dancer in the audience. Julian St. Nightmare’s songwriting as a post-punk band is consistently pushing the barriers of the musical style with not only superior musicianship and diverse songwriting but great style and stage presence.

Sunnnner in 2022, photo by Tom Murphy

Saturday | 01.28
What: Haunt Me w/Hex Cassette and Sunnnner
When: 8
Where: Trident Booksellers & Cafe
Why: This second Haunt Me show this time in Boulder out back of the Trident book store on the west end of Pearl Street Mall not only includes Hex Cassette but Denver trio Sunnnner whose weirdo post-punk and noise rock is so idiosyncratic in its presentation it is psychedelic rock by default. Meaning the group is much more exciting and interesting than any possible hints of roots in garage rock might be there.

Why Bonnie, photo by Grace Pendelton

Saturday | 01.28
What: Why Bonnie, Sun June and Porlolo
When: 8
Where: Hi-Dive
Why: Why Bonnie began as a songwriting outlet for singer/guitarist Blair Howerton but by the time of its 2018 debut EP In Water the project had developed into a full band. Howerton’s vivid lyrics and command of loud and quiet dynamics and crafting of warm, evocative melodies has yielded a richly diverse body of work that has been described as shoegaze Americana but the band’s music has more in common with the likes of Rilo Kiley, Soccer Mommy and Julien Baker than Mojave 3. The group’s 2022 album 90 in November is a collection of stories of unromanticized nostalgia. That approach lends the songs an unusual and fascinating aspect of being able to appreciate one’s past as it is and not to over or undervalue how you’ve grown as a person and the ongoing process of personal development. Veteran pop Americana legends Porlolo from Denver opens the show with Erin Roberts’ own insightful takes on personal folly and a life lived without fitting neatly under a subcultural umbrella.

Kali Malone, photo by Mauricio Guillen

Tuesday | 01.31
What: SunnO))) w/Kali Malone
When: 7
Where: Gothic Theatre
Why: In its SHOSHIN (初心) Duo configuration SunnO))) returns to its core, original live form with founders and guitarists Stephen O’Malley and Greg Anderson performing its signature heavy volume ritualistic drones dealing in what they refer to as “profound valve amplification, spectral harmonics, distortion and volume.” From the beginning the duo has crafted primal waves of sound that serve as some of the heaviest ambient music rooted in an abstract rock instrument foundation, warping and mutating both aesthetics in an alchemical synthesis that is transcendent and glacially crushing. Don’t go expecting a doom band, sure it’s not quite the same without long time collaborator, the singular vocalist Attila Csihar, but all configurations of SunnO))) offer a mind-altering live experience unlike any other band in the world of heavy music or really any other. Opening the proceedings is Kali Malone. The composer grew up in Colorado and moved to Stockholm, Sweden in her late teens and has become internationally renowned for her avant-garde works of drone and modern classical music. Anyone that saw Malone performing at house shows and DIY spaces in Colorado got to see an early form of Malone’s gift for meditative, minimalist soundscapes but her 2019 album The Sacrificial Code brought her to wider international audiences. Her new album, the gorgeously layered and transportingly murky Does Spring Hide Its Joy (January 2023) includes contributions from SunnO)))’s Stephen O’Malley and Lucy Railton released on O’Malley’s Ideologic Organ imprint on 3 LPs and 3 CDs.

Listen to Plasma Canvas’ Earworm Emo Punk Love Anthem “Need” Ahead of the Release of the New Album DUSK

Plasma Canvas, photo by Brian Kasnyik

“Need” begins with a typically melodic earworm riff from Plasma Canvas. And when Adrienne Rae Ash’s vocals come in there’s an earnest soulfulness that pairs well with the emotional urgency of the song’s lyrics and exuberant performances. Plasma Canvas has long been adept at completely fusing strong songcraft rooted in emo, punk and classic rock. But for this song a simple concept is stretched out into an epic about love and yearning, self-forgiveness and being open to learning about one’s deepest needs that can remain hidden from you without the help of others. And never once does it overstay its welcome, instead it pulls you into the eddy of the gravity of its sentiments that are the subject of endless rock and roll and emo songs except here the gloriously indulgent and infectious guitar solos and bombast is given the perfect amount of nuance in a line like “Give me what I need, show me what I need” as an admission that you never have everything figured out, you don’t know everything even when you’re swept up in the fervor of love. Listen to “Need” on Spotify, connect with Fort Collins, Colorado’s Plasma Canvas at the links below and pre-order the new album DUSK on vinyl which releases on February 17, 2023 along with releated merch on SideOneDummy Records.

Plasma Canvas on Facebook

Plasma Canvas on Twitter

Plasma Canvas YouTube

Plasma Canvas on Instagram

Pharmacist’s Harrowing and Noisy Post-punk Single “Calculated Violence” is a Poignant Take on Psychological Abuse

Pharmacist, photo courtesy the artists

Pharmacist spins a dark tale of manipulation and abuse in the harrowing and noisy passages of “Calculated Violence.” It begins with a splintering and distorted bass line and female vocals that sound like the narrative is being recalled some months and years down the line with the agony and psychological pain coming crashing in and well up all at once in dramatic waves. As the song progresses guitar comes in more as a vehicle for creating texture and noise like a mind becoming fractured and recovering with a desperate energy. In the last half of the song All sounds, percussion, bass, tortured guitar, vocals finally releasing the tension in cathartic, wordless utterances writhe around together upward and collide into the menacing outro. The line “there’s a calculated violence in everything you do” spells out succinctly the dynamic of someone who seems supportive and kind in the beginning of a relationship who gaslights you until you’ve lost your way until an abrupt and almost violent realization snaps you out of that spell and you find out what your real value was to the abuse. The closing line “The only thing that I can think is when you wish that I was dead” is stated almost matter-of-factly it’s chilling. Musically it’s in the realm of post-punk/art punk and noise rock but the execution and style is much more original than one might expect from mere genre tags. Think more Live Skull and Sonic Youth more than darkwave. Pharmacist is hitting upon a particularly creative and potent phase of its songwriting with its new set of releases. Listen to “Calculated Violence” and other tracks from the Swedish band on Spotify and follow the act at the links below.

Pharmacist on Facebook

Pharmacist on Instagram

Laveda Fuses Raw Heartbreak With Uplifting Melodies on Its Latest Single Shoegaze/Dream Pop Single “F***”

Laveda, photo courtesy the artists

The snow falling in the video for Laveda’s single “F***” seems timed perfectly for the recent cold wave that has swept through North America around the beginning of 2023. The rhythm guitar paired with Ali Genevich’s emotionally rich vocals at the beginning of the song are somehow both spare and lush as the sound evolves into wider-ranging sonics. Guitar texture turns to crunchy distorted atmospherics and shining keyboard work threads through the haze like the sun through a fading snowstorm. The lyrics about heartbreak, betrayal and coming into owning your anger after feeling like you had to keep it under wraps because it’s what’s expected of you are so raw but expressed in a way that is uplifting and liberating gives the song a depth of meaning that has been typical for the band’s songwriting up to now and in particular for A Place You Grew Up In (due Spring 2023 on Papercup Music), the follow up album to 2020’s What Happens After. Watch the video for “F***” on YouTube and follow Laveda at the links provied.

Laveda on TikTok

Laveda on Facebook

Laveda on Instagram

Thrillhouse’s New Wave Inflected Post-punk Track “Fatal Flaw” is an Arrestingly Vulnerable and Affectionate Love Song

Thrillhouse, photo courtesy the artists

Thrillhouse may be tapping into some of the moods and melodic structures of classic 1980s post-punk bands like The Cure and Echo and the Bunnymen with its single “Fatal Flaw.” But the song has an undeniable inertia and the layers of guitar, vocal and synth melody that carries you along on a wave of introspective, romantic fervor. In moments it’s reminiscent of Ultravox’s 1982 hit “Reap The Wild Wind” but its lyrics seem to tell the story of someone being willing to open up, to be vulnerable, as a means of comforting someone they love who is in a place of hurt, offering solace in the form of a shared knowledge of joys of which only people who know each other well are privy. The line “I’ll take you to that secret place, the one that brings a smile back to your face” could be perceived as trite but in context there is a sweetness to it and an agenda free benevolence that speaks to genuine affection and concern. If it’s a love song it’s one rooted in an emotional nuance that demonstrates a sensitivity toward the needs of another person beyond their utility in one’s own life and that makes all the beautiful harmonies and melodic layering especially effective in the end. Listen to “Fatal Flaw” on Spotify and follow Thrillhouse at the links below.

Thrillhouse on Twitter

Thrillhouse on Instagram

Springworks’ Deconstructed Psychedelic Pop IDM Song “Nigerian Slum” Pushes the Boundaries of What Constitutes the Accessible

If Anne Dudley relaunched The Art of Noise as an IDM project, it might sound like what Springworks has done with “Nigerian Slum.” It sounds like it brought in samples from toy instruments and vintage, eccentric synth sounds to make the slinky bass line. But then the song shifts into an unusual retro psychedelic pop song with twin vocals that seem to weave in and out of the spectral keyboard work and sleigh bell-esque percussion. In trading off the lines syncopated the way they are it’s reminiscent of The Happy Mondays had that group of yobs went the route of indie pop but bringing in an echoing saxophone to trace the drawn out paces. It’s the kind of song that should have been a hit in the logical third generation in the wake of Madchester had it more fully absorbed the influence of late 80s Cabaret Voltaire. Truly a psychedelic pop song following the songwriters’ most experimental instincts in expanding what can constitute the accessible. Watch the video for “Nigerian Slum” on YouTube and follow Springworks at the links below.

Springworks on Facebook

Springworks on Twitter

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springworksband.com

Worker & Parasite Parody the Compliance Culture of Corporate Domination Under Late Capitalism in the New Wave Post-punk “The Silent Majority”

Worker & Parasite, photo courtesy the artists

Worker & Parasite uses the imagery of the corporate machine from clothing to visual design in the video for “The Silent Majority.” Its spiky guitar, eccentric anti-melodies and rhythmic accents reflect an awkward, robotic, conformist aspect of how we’re expected to be in the context of late capitalist economic arrangements where your aspirations are all but dictated to you and your horizons defined by what the corporate world has decided fits into its programme. Musically fans of stuff like Devo, The Fall, The Mathematicians and Les Savy Fav will appreciate the surreal and socially critical aspect of the song and video as well as the clear songwriting and performance chops channeled into a whole creative expression of the kinds of thoughts and feelings those of us who have been subject to the strictures of corporate culture know to well, which is to say most of us. Watch the video for “The Silent Majority” on YouTube and follow Worker & Parasite at the links provided.

Worker & Parasite on TikTok

Worker & Parasite on Facebook

Worker & Parasite on Twitter

Worker & Parasite on Bandcamp

Worker & Parasite on Instagram

YUNGMORPHEUS Contemplates the Virtues of Keeping an Even Keel in Life’s Storms of Highs and Lows on “Sonny’s Triangle”

“Sonny’s Triangle” by YUNGMORPHEUS is a little like the inversion of the standard hip-hop song arrangement. It begins with a voice sample of an older man giving some dubious advice to a younger person that has some harsh truth about basically not being able to completely depend on anyone else but yourself so take care with your actions. Then the song eases into a loop like a downtempo production on late period Sly and the Family Stone funk sample all while there’s a leisurely rap opining introspectively on how trying to take short cuts in life didn’t really get him ahead and how discerning between what’s real and what’s performative and boastful. The contemplation further offers how all the choices one makes come with conditions and consequences and how being involved in anything important can put pressures on you that can push you to the breaking point but that if you weather these highs and lows and try not to believe too much in how either will be ongoing and reliable. It’s a song about being realistic about what happens in life and staying focused on doing what matters and keeping an even keel rather than being too caught up in the high of success and the despair of perceived failure. Listen to “Sonny’s Triangle” on YouTube and follow YUNGMORPHEUS at the links below.

YUNGMORPHEUS on Bandcamp

Maja Lena’s Art Pop Single “Portal” is a Mysterious Path to Transformative Self-Discovery

Maja Lena, photo courtesy the artist

Maja Lena’s experimental pop song “Portal” with its pulse of minimal percussion as rhythm track and melodic drone leading into the songwriter’s almost sing-song-y vocals has an immediate accessibility in spite of its unconventional, more intuitive structure and pacing. Its poetic lines do not follow any standard form of verse and its more avant-garde leanings fit well the beautifully symbolic language and imagery. The music video and its enigmatic footage of dark roads at night, brightly lit vegetation against a dark backdrop and mysterious figures whose faces are hidden by shadow somehow makes the music make more sense in a concrete way in the manner with which Kate Bush’s more structuralist film format videos and the post-modern aesthetic of repeated images and themes reinforcing and evolving meaning with every iteration did for some of her own music. The playful woodwind sounds in this song and Lena’s wide ranging vocals in counterpoint with each other might be compared favorable as well with Cate Le Bon’s wonderfully alien pop songcraft. You hear it and you know that you’re in for a musical ride into realms that will expand one’s emotional knowledge and gain a language for articulating aspects of existence that elude standard use of language. Lena speaks to the way our imagination though a wonderful tool and at the core of our existence and cognitive orientation can run away with us and how we can be compelled by unconscious influences to act in unpredictable ways that are perhaps best understood through imaginative constructs like mythology. When Lena sings about “answering to Pluto,” “answering through fire” and “answering through desire” maybe it’s intended in a way to be literal but Pluto can symbolize the shadow side of ourselves and fire and desire the passions and inspirations that can drive us. But however one interprets Maja Lena’s richly diverse set of symbols as employed in the song, the mysterious allure of “Portal” suggests a transformation in stepping through whether as a life changing decision, choosing to take a path of possible peril but also reward or into the world of another with its personally crafted vision guiding the experience. Watch the video for “Portal” on YouTube, follow Maja Lena at the links below and perhaps give a listen to the rest of the new album Pluto which released on December 2, 2022.

Maja Lena on TikTok

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