Queen City Sounds Podcast S5E43: Conrad Kehn of The Playground Ensemble

The Playground Ensemble, Eight Songs For a Mad King, March 8, 2019, Mercury Cafe

The Playground Ensemble is a new music group based in Denver formed in 2006. Composed of professional musicians, composers, educators and members of the local community dedicated to presenting modern chamber music not purely as a vehicle for performing classical music of centuries past. The group cultivates local composers new, up-and-coming and more established as a means of showing how music based in classical modes can be a valid and vibrant mode of expression. Operating in a multi-disciplinary fashion often collaborating with dancers, poets, spoken word artists, visual/multi-media artists The Playground Ensemble has also brought noteworthy artists to town that might not otherwise find an avenue for live performance in Colorado. From the beginning one of the leading figures of the group has been Conrad Kehn who came to more classical composition as a regular thing later in life than some other musicians. From Gehring, Nebraska, Kehn had a bit of a background in classical music but like any young person in the late 80s and early 90s he got into alternative music and by late summer 1992 he had moved to Denver and attended Denver University.

As happens when you have an interest in music you end up meeting people and he moved in with a member of a band called Pieces of Lucy. He and the bass player moved on from the project and formed Skull Flux. The band was too Goth for the metal scene, too hard rock for the Goth scene but anyone listening in retrospect would recognize the band as death rock band ahead of its time. The group played shows with the likes of Twice Wilted, Body of Souls and 40th Day, noteworthy acts in the broad realm of alternative music. Guitarist Greg Stretton would go on to a stint in industrial dream pop downtempo band The Siren Project and bassist Steve Millin in progressive folk group The Reals. Kehn formed the short-lived more industrial group Kallisti before shifting more into avant-garde and modern classical music as an academic, a place he has contributed to greatly locally and connected to globally.

The Playground Ensemble is celebrating its 20 year anniversary with a 20 hour marathon on Saturday, March 21, 2026. In ambitious yet accessible fashion with community outreach and goals in mind the event will include a morning yoga session with music, afternoon and evening concerts feature new music (in the modern classical sense) as well as a later night experimental music event with after hours improv. Sprawling from MSU’s Kalamath Building to Stanley Marketplace to the Holiday Theater and Glob it is an event aimed at highlighting various aspects of The Playground Ensemble’s legacy and ongoing goals.

Full schedule and details below. For more information please visit www.playgroundensemble.org. Listen to our conversation with Conrad Kehn on Bandcamp.

Spontaneous Team Composition Workshop (all ages and levels welcome)
Metropolitan State University of Denver’s Kalamath Building
800 Kalamath St, Denver, CO 80204

Join Denver’s The Playground Ensemble as we celebrate our 20th season with a 20-hour MARATHON of new music.

The day opens at 7:00 AM with a yoga session and gong bath, followed by the Sound Bites breakfast meet-and-greet.

After breakfast, participants will be divided into small groups and given 90 minutes to collaboratively create a new work to be shared at the end of the session. Each group will be facilitated by Playground Ensemble teaching artists who will guide participants through the music creation process using hand gesture composition, graphic notation, structured improvisation, digital audio workstations, and musical story-telling to name a few.

Bring your own instrument and we will also provide a variety of electronic and found sound instruments to help ‘orchestrate’ and inspire creativity. The teaching artists will demonstrate how these approaches are adaptable to a wide range of educational contexts and are accessible to learners of all ability levels and musical backgrounds. The session will conclude with a performance of each group’s composition.

Afternoon at The Stanley Marketplace
2501 N. Dallas St. Aurora, Colorado 80010

Join Denver’s The Playground Ensemble as we partner with Friends of Chamber Music to celebrate our 20th season with an afternoon of music creation and community at The Stanley Marketplace. Each session highlights a different part of what makes Playground Ensemble the innovative organization that it is.

Family/Community Music-Making 1-2:30 PM: We invite families (grown-ups too!) to create their own instruments and compositions. Create your own compositions using colors and shapes and hear them played on the spot! Record your own beats at our electronic music station. Make tongue depressor kazoos, and play our collection of strange found sound instruments.

At 2 PM, Sing With Us! Meet us in the Stanley commons for a community singing of Pauline Oliveros’ Tuning Meditation. Using any vowel sound, sing a tone that you hear in your imagination. Listen for someone else’s tone and tune to its pitch as exactly as possible. Introduce new tones at will and tune to as many different voices as are present. Sing warmly.

String Quartet Concert 2:30 PM: In keeping with the spirit of Stanley Marketplace, the Playground String Quartet provides an eclectic sample of works by Latino, Indigenous, and women composers. Including works by Gabriela Ortiz, Raven Chacon, and Caroline Shaw, this program contains the breadth of both Playground’s style and their mission.

Playground at 20!
MCA Denver at the Holiday Theater
2644 W 32nd Ave, Denver, CO 80211

Hosted by MCA Denver at the Holiday Theater, this series of concerts is the heart of MARATHON.

The evening starts with Shane Courville (trumpet, electronics, composer) and Nathan Hall (piano, electronics, composer) presenting solo, duo, and improvised works on themes of freedom: freedom of nations and sovereignty, freedom to express our own identities, and the freedom of creative collaboration.

Up next join Leah and Josh for a 30-minute program of (mostly) contemporary art songs that recall childhood and gently remind us never to stop playing, even amidst the gloom and doom of life today. When you look through the kaleidoscope of your childhood, what do you see? Do the bright spots of hope, nature, and laughter stand out, or does darkness prevail?

After these two duo sets we gather for a celebratory toast to all that has been accomplished in the previous two decades while looking forward to the future.

At 8PM is the main event, The Playground @ 20!

This chamber concert features the first work we ever played, a new commission by Carlos Sanchez-Gutierrez for bass flute and ‘ghost’ string quartet, and a new work by Playground Director Conrad Kehn for the entire ensemble.

The evening will also feature the Colorado premiere of Jerod Impichchaachaaha’ Tate’s Ithánali, about a Chickasaw woman astronaut who is designated to be the first human to set foot on Mars, aware of the irony of her own action – colonizing Mars – and how it compares/contrasts to the historic colonization of her own tribe.

We will also highlight one of our favorite works commissioned with I’m Waiting for Your Crip Cadence, a collaborative composition by Nathan Hall and performance artist MG Bernard that creates an auditory and visual experience of what it is like to exist in a chronically sick bodymind exploring ideas of the disabled experience of non-linear time, and the doctor-patient relationship through a visceral display of how she is bound to the medical industrial complex, dependent on uncomfortable relationships of care, and indentured to pain.

Late Night GLOB

Close out MARATHON at Denver’s DIY citadel, GLOB.

This underground atmosphere set will intersperse avant DJ sets by former Playground board member DJ i.lind before our Music of The Shining, a show based on music from the Stanley Kubrick (and Stephen King) classic.

At midnight Playground composer and board member Silen Wellington will lead us in Haunting, a ritual performance. This is followed by Loretta Notareschi performing How All’s to One Thing Wrought! an improvisational work for a custom-designed virtual instrument that uses the electronic transformation of a single cello low C to express the spiritual idea of an interdependent web of all existence. Luke Wachter will perform …and we are a collection of memory for solo vibraphone and still photography which juxtaposes the impermanence of improvisation with the immutability of static images, examining how identity is constructed in the mind by collecting and reinterpreting memories and shared experiences. Ryan Fiegl winds us down with an electronic music set with reactive video as his musical alter ego Severed Shadow.

The evening closes with an open invite community-improvised drone session carrying us into the early morning.

For more information visit www.playgroundensemble.org.

  • This program is supported by Denver Arts & Venues through the DENVER CREATES Fund.
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Author: simianthinker

Editor, primary content provider for this blog. Former contributor to Westword and The Onion.